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I didn't want to make huge political statements; in fact, I hate preachy shit and people saying, 'This is good; this is bad.' I talk about how I see things as an everyday person in England. I was saying things that were a bit controversial, and I wanted to say that there are some opinions that aren't black and white. Things are confusing and complex. If you really want to be a good person, you understand things from all points of view and you are empathetic towards every opinion and every voice. I was like, 'I'm going to make an album about how it's difficult to make sense of living today, and that is added to by the television and the media, the person at my bank and the person at my mobile phone company.' I want to make sense of all those people and what is going on, and that is what I tried to do lyrically, and not provide a manifesto.
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Archive interview to Chicago Sun-Times (September 2005)

 

M.I.A.

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To give a person one's opinion and correct his faults is an important thing. It is compassionate and comes first in matters of service. But the way of doing this is extremely difficult. To discover the good and bad points of a person is an easy thing, and to give an opinion concerning them is easy, too. For the most part, people think that they are being kind by saying the things that others find distasteful or difficult to say. But if it is not received well, they think that there is nothing more to be done. This is completely worthless. It is the same as bringing shame to a person by slandering him. It is nothing more than getting it off one's chest.
To give a person an opinion one must first judge well whether that person is of the disposition to receive it or not. One must become close with him and make sure that he continually trusts one's word. Approaching subjects that are dear to him, seek the best way to speak and to be well understood. Judge the occasion, and determine whether it is better by letter or at the time of leave-taking. Praise his good points and use every device to encourage him, perhaps by talking about one's own faults without touching on his, but so that they will occur to him. Have him receive this in the way that a man would drink water when his throat is dry, and it will be an opinion that will correct faults.
This is extremely difficult. If a person's fault is a habit of some years prior, by and large it won't be remedied. I have had this experience myself. To be intimate with all one's comrades, correcting each other's faults, and being of one mind to be of use to the master is the great compassion of a retainer. By bringing shame to a person, how could one expect to make him a better man?

 

Yamamoto Tsunetomo

 

I feel that we are living a very fragmented life; the whole world — you too. So I perceive the world in fragments. It is somewhat like being on a very fast train and getting glimpses of things in strange scales as you pass by. A person can be very, very tiny. And a billboard can make a person very large. You see the corner of a house or you see a bird fly by, and it's all fragmented. Somehow, in painting I try to make some logic out of the world that has been given to me in chaos. I have a very pretentious idea that I want to make life, I want to make sense out of it. The fact that I am doomed to failure — that doesn't deter me in the least.

 

Grace Hartigan

 

The Grand Inquisitor explains that you have to create mysteries because otherwise the common people will be able to understand things. They have to be subordinated so you have to make things look mysterious and complicated. That's the test of the intellectual. It's also good for them: then you're an important person, talking big words which nobody can understand. Sometimes it gets kind of comical, say in post-modern discourse. Especially around Paris, it has become a comic strip, I mean it's all gibberish. But it's very inflated, a lot of television cameras, a lot of posturing. They try to decode it and see what is the actual meaning behind it, things that you could explain to an eight-year old child. There's nothing there. But these are the ways in which contemporary intellectuals, including those on the Left, create great careers for themselves, power for themselves, marginalize people, intimidate people and so on.

 

Noam Chomsky

 

This book is a ripped, by no mean reliable map of some of the landscapes that make up a particular phase of my life. It’s about places where things happened or didn’t happen, places where I stayed and things that have stayed with me, places I’d wanted to see or places I passed through or just ended up. In a way they’re all the same place—the same landscape—because the person these things happened to was the same person who in turn is the sum of all things that happened or didn’t happen in these and other places. Everything in this book really happened, but some of the things that happened only happened in my head; by that same token, all the things that didn’t happen didn’t happen there too.

 

Geoff Dyer

 

...I don't like to make judgments about what people like sexually. Some people like one sex, or the other, or they like fat people, or they like to be tied up, whatever. That's fine. Whatever people like is fine by me. I think that's important, too, because in this country a lot of people want to make laws about that and I'm very much against that. Making certain kinds of sex illegal... To me that's immoral, to illegalize things that people want to do. Same with religious things. I think people should be able to believe whatever they want to believe. I think that when governments try to get involved with that sort of stuff, you're really destroying people's souls. I don't make statements like that in my songs because that's not what I want. I don't want to make a political statement.

 

John S. Hall