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She was a great heroine to many young women of my age. She was a heroine for her independence and her courage in speaking out in defence of lost causes and for her ability to combine great personal glamour with a ferocious intelligence.
--
Frances Kiernan, author of Seeing Mary Plain : A Life of Mary McCarthy (2000) ISBN 0393038017

 

Mary McCarthy

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As the anima does with men, the animus also creates states of possession in women. In myths and fairy tales this condition is often represented by the devil or an "old man of the mountain," that is, a troll or ogre, holding the heroine prisoner and forcing her to kill all men who approach her or to deliver them into the hands of the demon; or else the father shuts up the heroine in a tower or a grave or sets her on a glass mountain, so that no one can get near her. In such cases, the heroine can often do nothing but wait patiently for a savior to deliver her from her plight. Through her suffering, the animus (for both the demon and the savior are two aspects of the same inner power) can be gradually transformed into a positive inner force.

 

Marie-Louise Von Franz

 

This great principle does not deny to the needy nor to the poor the assistance they should have. The wholly incapacitated, the aged, the sickly are cared for with all tenderness, but every able-bodied person is enjoined to do his utmost for himself to avoid dependence, if his own efforts can make such a course possible; to look upon adversity as temporary; to combine his faith in his own ability with honest toil; to rehabilitate himself and his family to a position of independence; in every case to minimize the need for help and to supplement any help given with his own best efforts. We believe [that] seldom [do circumstances arise in which] men of rigorous faith, genuine courage, and unfaltering determination, with the love of independence burning in their hearts, and pride in their own accomplishments, cannot surmount the obstacles that lie in their paths. We know that through humble, prayerful, industrious, God-fearing lives, a faith can be developed within us by the strength of which we can call down the blessings of a kind and merciful Heavenly Father and literally see our handicaps vanish and our independence and freedom established and maintained.

 

Henry D. Moyle

 

This hero and villain no more understand Krazy Kat than the mythical denizens of a two dimensional realm understand some three dimensional intruder. The world of Offissa Pupp and Ignatz Mouse is a knowledgeable power-world, in terms of which our unknowledgeable heroine is powerlessness personified. The sensical law of this world is might makes right; the nonsensical law of our heroine is love conquers all. To put the oak in the acorn: Ignatz Mouse and Offissa Pupp (each completely convinced that his own particular brand of might makes right) are simple-minded—Krazy isn't—therefore, to Offissa Pupp and Ignatz Mouse, Krazy is. But if both our hero and our villain don't and can't understand our heroine, each of them can and each of them does misunderstand her differently. To our softhearted altruist, she is the adorably helpless incarnation of saintliness. To our hardhearted egoist, she is the puzzlingly indestructible embodiment of idiocy. The benevolent overdog sees her as an inspired weakling. The malevolent undermouse views her as a born target. Meanwhile Krazy Kat, through this double misunderstanding, fulfills her joyous destiny.

 

E. E. Cummings

 

Though Frank Shallard might have come to admire pictures, great music, civilized furniture, he had been trained to regard them as worldly, and to content himself with art which 'presented a message,' to regard 'Les Miserables' as superior because the bishop was a kind man, and 'The Scarlet Letter' as a poor book because the heroine was sinful and the author didn't mind.

 

Sinclair Lewis

 

The blackbirds are in this book, they're both pro the kids and against the kids. Just like fate. Sometimes it goes your way. Sometimes... and also a blackbird is from my passion for Schubert songs and his blackbirds and his birds of doom or birds of good. … some people were baffled that in the last big picture of that book, there's a crucifix on the wall of the children's house. Everybody assumes the hero and heroine are Jewish and the mother is Jewish. They're not. They're not. — That was my point. Those kids were in the wrong place at the wrong time. And all children were in the Holocaust. Everybody was in the Holocaust. So, I made sure my hero and heroine were not Jewish children. That was too easy. That was too easy.

 

Maurice Sendak