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The Crucifixion and other historical precedents notwithstanding, many of us still believe that outstanding goodness is a kind of armor, that virtue, seen plain and bare, gives pause to criminality. But perhaps it is the other way around.
--
Gandhi (1949)

 

Mary McCarthy

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In Muhammad, I should hold, there was a welling up of the creative imagination, and the ideas thus produced are to a great extent true and sound. It does not follow, however, that all the Qur'anic ideas are true and sound. In particular there is at least one point at which they seem to be unsound; the idea that ' revelation ' or the product of the creative imagination is superior to normal human traditions as a source of bare historical fact. There are several verses in the Qur'an (II. 5I; 3. 39; I2. I03) to the effect that ' this is one of the reports of the unseen which We reveal to thee; thou didst not know it, thou nor thy people, before this '. One could admit a claim that the creative imagination was able to give a new and truer interpretation of a historical event, but to make it a source of bare fact is an exaggeration and false.
This point is of special concern to Christians, since the Qur'an denies the bare fact of the death of Jesus on the cross, and Muslims still consider that this denial outweighs the contrary testimony of historical tradition. The primary intention of the Qur'an was to deny the Jews' interpretation of the crucifixion as a victory for themselves, but as normally explained it goes much farther. The same exaggeration of the role of ' revelation ' has also had other consequences. The Arab contribution to Islamic culture has been unduly magnified, and that of the civilized peoples of Egypt, Syria, 'Iraq and Persia, later converted to Islam, has been sadly belittled.
Too much must not be made of this slight flaw. Which of us, conscious of being called by God to perform a special task, would not have been more than a little proud ? On the whole Muhammad was remarkably free from pride. Yet this slight exaggeration of his own function has had grave consequences and cannot be ignored.

 

Holy Prophet Muhammad

 

That is the fourth course, which in future I trust the right hon. Gentleman (Sir R. Peel) will not forget. The right hon. Gentleman tells us to go back to precedents; with him a great measure is always founded on a small precedent. He traces the steam-engine always back to the tea-kettle. His precedents are generally tea-kettle precedents.

 

Benjamin Disraeli

 

When virtue is pictured as innocence and innocence equated with childlikeness, the implication is obviously that knowledge and experience are no longer media of goodness, but have become in themselves contaminating. This is a very despairing outlook, in its way as black as Augustine's original sin, for it supposes that original goodness will in all likelihood be defiled…It surrenders the attempt to represent virtue in a mature phase.

 

Marina Warner

 

I entirely differ with the Government as to the value of precedents. In this case, as in others, precedents are not mere dusty phrases, which do not substantially affect the question before us. A precedent embalms a principle.

 

Benjamin Disraeli

 

God, say some philosophers, manifests himself in the sublunary world in particular beauties, truths and acts of benevolence; properly, the values should be conjoined to shadow their identity in the godhead, but this happens so infrequently that one must suppose divinity condones a kind of diabolic fracture or else, and perhaps my book is already giving some hint of this, he demonstrates his ineffable freedom through contriving at times a wanton inconsistency. If this is so, we need not wonder at Messalina’s failure to match her beauty with a love of truth and goodness. She was a chronic liar and she was thoroughly bad. But her beauty, we are told, was a miracle. The symmetry of her body obeyed all the golden rules of the mystical architects, her skin was without even the most minuscule flaw and it glowed as though gold had been inlaid behind translucent ivory, her breasts were full and yet pertly disdained earth’s pull, the nipples nearly always erect, and visibly so beneath her byssinos, as in a state of perpetual sexual excitation, the areolas delicately pigmented to a kind of russet. The sight of her weaving bare white arms was enough, it is said, to make a man grit his teeth with desire to be encircled by them; the smooth plain of her back, tapering to slenderness only to expand lusciously to the opulence of her perfect buttocks, demanded unending caresses.

 

Anthony Burgess