When you review an exhibition of paintings you don't compose a painting about it, when you review a film you don't make a film about it and when you review a new CD you don't make a little CD about it. But when you review a prose-narrative then you write a prose-narrative about that prose-narrative and those who write the secondary prose-narrative, let's face it, must have once had dreams of writing the primary prose-narrative. And so there is a kind of hierarchy of envy and all those other things.
--
Interview with Ramona Koval on Radio National (4 September 1999)Martin Amis
...a novel is a prose narrative of some length that has something wrong with it...
Randall Jarrell
Narrative prose is a legal wife, while drama is a posturing, boisterous, cheeky and wearisome mistress.
Anton Chekhov
He tells a story with the narrative power of a master of that art. His prose style has the rare combination of rhythm and smoothness together with a great deal of force... A quality not so much of style as of the writer's personality is his quiet, dry, and cutting humor. It crops out everywhere in his work... In the matter of his use of words, McFee seems to be going through some evolution. In Casuals of the Sea, he employs a number of words that necessitate more than an occasional reference to a good dictionary; however, in his later work, he has rid himself of this fault to a great degree, although a use of apt, but unusual, words may be said to be characteristic of his prose.
William McFee
[W]e hear a very different narrative from Barack Obama and the Democrats than we do from Mitt Romney, with Mitt Romney's narrative being usually harsh, scary, selfishness on steroids, and the Democratic narrative being warm and fuzzy and we're all in this together, let's just wait for things to get better.
Mitt Romney
Why can't a writer use writing as a painter uses paint? I try to. When I wrote The Tree of Man I felt I couldn't write about simple, illiterate people in a perfectly literate way; but in my present novel the language is more sophisticated. I think perhaps I have clarified my style quite a lot over the years. I find it a great help to hear the language going on around me; not that what I write, the narrative, is idiomatic Australian, but the whole work has a balance and rhythm which is influenced by what is going on around you. When you first write the narrative it might be unconscious, but when you come to work it over you do it more consciously. It gives what I am writing a greater feeling of reality.
Patrick (Australian novelist) White
Amis, Martin
Amos, Tori
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