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Marshall McLuhan

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Language alone includes all the senses in interplay at all times.

 
Marshall McLuhan

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I had a feeling that Pandora's box contained the mysteries of woman's sensuality, so different from man's and for which man's language was inadequate. The language of sex had yet to be invented. The language of the senses was yet to be explored. D. H. Lawrence began to give instinct a language, he tried to escape the clinical, the scientific, which only captures what the body feels.

 
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But we have higher mathematics, haven't we? This gives me freedom from my senses. The language of mathematics is even more inborn and universal than the language of music; a mathematical formula is crystal clear and independent of all sense organs. I therefore built a mathematical laboratory, set myself in it as if I were sitting in a car, and moved along with a beam of light.

 
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We don't have a language for the senses. Feelings are images, sensations are like musical sounds.

 
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Another theme of the Wake that helps in the understanding of the paradoxical shift from cliché to archetype is "pastimes are past times". The dominant technologies of one age become the games and pastimes of a later age. In the twentieth century the number of past times that are simultaneously available is so vast as to create cultural anarchy. When all the cultures of the world are simultaneously present, the work of the artist in the elucidation of form takes on new scope and new urgency. Most men are pushed into the artist role. The artist cannot dispense with the principle of doubleness and interplay since this kind of hendiadys-dialogue is essential to the very structure of consciousness, awareness, and autonomy.

 
Marshall McLuhan
 

The two principles of truth, reason and senses, are not only both not genuine, but are engaged in mutual deception. The senses deceive reason through false appearances, and the senses are disturbed by passions, which produce false impressions.

 
Blaise Pascal
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