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Marshall McLuhan

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Cubism ('multi-locationalism') is one of the painterly forms of acoustic space.

 
Marshall McLuhan

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To say that a body or its gravitational field 'bends in space' in its vicinity is the discuss visual space in acoustic terms.

 
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Tactility is the space of the interval; acoustic space is spherical and resonant.

 
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The sentiment of the Cubists was simpler. No space. Everything ought to keep going! That’s probably the reason they went themselves. Either a man was a machine or else a sacrifice to make machines with... Personally, I do not need a movement. Of all movements, I like Cubism most. It had that wonderful unsure atmosphere of reflection – a poetic frame where something could be possible, where an artist could practice his intuition. It didn’t want to get rid of what went before. Instead it added something to it. The parts that I can appreciate in other movements came out of Cubism... It has force in it but it was no 'force-movement'.

 
Willem de Kooning
 

What greatly attracted me – and it was the main line of advance of Cubism – was how to give material expression to this new space of which I had an inkling. So I began to paint chiefly still life’s, because in nature there is a tactile, I would almost say a manual space. I wrote about this moreover ‘When a still-life is no longer within reach, it ceases to be a still-life.. ..For me that expressed the desire I have always had to touch a thing, not just to look at it. It was that space that attracted me strongly, for that was the earliest Cubist painting – the quest for space.

 
Georges Braque
 

..No academy could have given me all I discovered by getting my teeth into the exhibitions, the shop windows, and the museums of Paris. Beginning with the market – where, for lack of money, I bought only a piece of a long cucumber – the workman in his blue overall, the most ardent followers of Cubism, everything showed a definite feeling for proportion, clarity, an accurate sense of form, of a more painterly kind of painting, even in the canvases of second-rate artists.

 
Marc Chagall
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