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Marshall McLuhan

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The artists of our culture, 'the antennae of the race,' had tuned in to the new ground and begun exploring discontinuity and simultaneity.

 
Marshall McLuhan

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Artists are the antennae of the race but the bullet-headed many will never learn to trust their great artists.

 
Ezra Pound
 

While Poe and the Symbolists were exploring the irrational in literature, Freud had begun to explore the resonant figure/ground double-plot of the conscious and unconscious.

 
Marshall McLuhan
 

All that is needed to make life harmonious, palatable, blissful – is called the Art of Living. In a guitar, all the six strings have to be tuned; a drum needs to be tuned. Similarly, the various aspects of life have to be tuned. Our relationship with our Self, the people in our family, in the work-place, in society – all these need to be tuned.
The nurturing of the physical, social and spiritual aspects is called the Art of Living.

 
Sri Sri Ravi (spiritual leader) Shankar
 

...the famous assertion by Einstein that the length of a rod depends on its velocity and on the chosen definition of simultaneity. ...is based on the fact that we do not measure the length of the rod, but its projection on a system at rest. How the length of the projection depends on the choice of simultaneity can be illustrated by reference to a photograph taken through a focal-plane shutter. Such a shutter... consists of a wide band with a horizontal slit, which slides down vertically. Different bands are photographed successively on the film. Moving objects are therefore strangely distorted; the wheels of a rapidly moving car for instance, appear to be slanted. The shape of the objects in the picture will evidently depend on the speed of the shutter. Similarly, the length of the moving segment depends on the definition of simultaneity. One definition of simultaneity differs from another because events that are simultaneous for one definition occur successively for another. What may be a simultaneity projection of a moving segment for one definition is a "focal-plane shutter photograph" for another.

 
Hans Reichenbach
 

A free culture has been our past, but it will only be our future if we change the path we are on right now. Like Stallman's arguments for free software, an argument for free culture stumbles on a confusion that is hard to avoid, and even harder to understand. A free culture is not a culture without property; it is not a culture in which artists don't get paid. A culture without property, or in which creators can't get paid, is anarchy, not freedom. Anarchy is not what I advance here. Instead, the free culture that I defend in this book is a balance between anarchy and control. A free culture, like a free market, is filled with property. It is filled with rules of property and contract that get enforced by the state. But just as a free market is perverted if its property becomes feudal, so too can a free culture be queered by extremism in the property rights that define it. That is what I fear about our culture today. It is against that extremism that this book is written.

 
Lawrence Lessig
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