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Marshall McLuhan

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The reader is the content of any poem or of the language he employs, and in order to use any of these forms, he must put them on.
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"Roles, Masks, and Performances", New Literary History, Vol. 2, No. 3, Performances in Drama, the Arts, and Society (Spring, 1971), p. 520

 
Marshall McLuhan

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The creation of a poem, or mathematical creation, involves so much sense of arrival, so much selection, so much of the desire that makes choice — even though one or more of these may operate in the unconscious or partly conscious work-periods before the actual work is achieved — that the questions raised are very pertinent. . . . The poet chooses and selects and has that sense of arrival as the poem ends; he is expressing what it feels like to arrive at his meanings. If he has expressed that well, his reader will arrive at his meanings. The degree of appropriateness of expression depends on the preparing. By preparing I mean allowing the reader to feel the interdependences, the relations, within the poem.
These inter-dependences may be proved, if you will allow the term, in one or more ways: the music by which the syllables resolve may lead to a new theme, as in a verbal music, or to a climax, a key-relationship which makes — for the moment — an equilibrium; the images may have established their own progression in such a way that they serve to mark the poem’s development; the tensions and attractions between the poem’s meanings may mark its growth, as they must if the poem is to achieve its form.
A poem is an imaginary work, living in time, indicated in language. It is and it expresses; it allows us to express.

 
Muriel Rukeyser
 

I think Miss Moore was right to cut “The Steeple-Jack” — the poem seems plainer and clearer in its shortened state — but she has cut too much... The reader may feel like saying, “Let her do as she pleases with the poem; it’s hers, isn’t it?” No; it’s much too good a poem for that, it long ago became everybody’s, and we can protest just as we could if Donatello cut off David’s left leg.

 
Randall Jarrell
 

It is absurd to think that the only way to tell if a poem is lasting is to wait and see if it lasts. The right reader of a good poem can tell the moment it strikes him that he has taken an immortal wound—that he will never get over it.

 
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Once an author finishes a poem, he becomes merely another reader. I may remember what I intended to put into a text, but what matters is what a reader actually finds there — which is usually something both more and less than the poet planned.

 
Dana Gioia
 

There neither exists nor can exist any work more thoroughly dignified — more supremely noble than this very poem — this poem per se — this poem which is a poem and nothing more — this poem written solely for the poem's sake.

 
Edgar Allan Poe
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