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Marshall McLuhan

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If a work of art is to explore new environments, it is not to be regarded as a blueprint but rather as a form of action-painting.
--
To Wilfred Watson, October 6 1965. Letters of Marshall McLuhan (1987), p. 325

 
Marshall McLuhan

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I rather feel that painting is a form of drawing and the painting that I like has a form of drawing to it. I don’t see how it could be disassociated from the nature of drawing.. ..I find in many cases a drawing has been the subject of the painting – that would be a preliminary stage to that particular painting.. ..the painting can develop something that is not at all related to the drawing and have no particular mood about it at all; it’s just a cool kind of reality that has a series of involvements within it; and the pure excitement of those things happening within this form is enough for that particular panting..

 
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I am not an action painter. Each painting is an act. The result of action and the fulfilment of action.. ..No painting stops with itself, is complete of itself. It is a continuation of previous paintings and is renewed in successive ones..

 
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OK, let's go and explore the rest of the world, and how easy is it to put together music through found objects and stuff, and people, and ideas and certain electricity, certain environments.

 
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I do both: I make preliminary drawings, other times I paint directly, other times I start a painting and then paint it out so that it becomes another painting or nothing at all. If a painting doesn’t work, throw it out. When I work from preliminary sketches, I don’t just enlarge these drawings, but plan my areas in a large painting by using small drawings for separate areas. I combine them in a final painting, often adding to or subtracting from the original sketches.. ..There are certain canvases here in my studio - the little one over there – that I’ve worked on for a good six months – painting most of it out and then painting it over and over again. I think I’ve got it now. (1958)

 
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Painting has nothing to do with thinking, because in painting thinking is painting. Thinking is language – record-keeping – and has to take place before and after. Einstein did not think when he was calculating: he calculated – producing the next equation in reaction to the one that went before – just as in painting one form is a response to another and so on."

 
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