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On the day Kazan showed me the completed picture I was so depressed by my performance that I got up and left the screening room.
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Speaking of his performance in On the Waterfront (1954). Songs My Mother Taught Me (1994)
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"If there is a better performance by a man in the history of film in America, I don't know what it is."- Eli Kazan on Brando's performance in On the Waterfront, published in Marlon Brando, Portraits and Film Stills 1946-1995 (1996)

 

Marlon Brando

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Kazan is a performer's director, the best director I ever worked with... Most actors don't get any help from directors. Emotional help, if you're playing an emotional part. Kazan is the only one I know who really gives you help.

 

Marlon Brando

 

[Serafin was] an extraordinary coach, sharp as a vecchio lupo [sly fox]. He opened a world to me, showed me there was a reason for everything, that even fiorature and trills ... have a reason in the composer's mind, that they are the expression of the stato d'animo [state of mind] of the character — that is, the way he feels at the moment, the passing emotions that take hold of him. He would coach us for every little detail, every movement, every word, every breath. One of the things he told me — and this is the basis of bel canto — is never to attack a note from underneath or from above, but always to prepare it in the face. He taught me that pauses are often more important than the music. He explained that there was a rhythm — these are the things you get only from that man! — a measure for the human ear, and that if a note was too long, it was no good after a while. A fermata always must be measured, and if there are two fermate close to one another in the score, you ignore one of them. He taught me the proportions of recitative — how it is elastic, the proportions altering so slightly that only you can understand it. ... But in performance he left you on your own. "When I am in the pit, I am there to serve you, because I have to save my performance." he would say. We would look down and feel we had a friend there. He was helping you all the way. He would mouth all the words. If you were not well, he would speed up the tempo, and if you were in top form, he would slow it down to let you breathe, to give you room. He was breathing with you, living the music with you, loving it with you. It was elastic, growing, living.

 

Maria Callas

 

I never had a strategy in my dealing with other humans! I've always been very passive socially. I went along with their agenda. I had none of my own! Left to my own devices I stayed in my room or wandered aimlessly in the streets, fantasizing about bizarre things I yearned to do to big ladies, or filled with self-pity and resentment. I was helpless in the presence of other people! My main concern was to make them like me by being as agreeable as possible, and secondly to impress them with my brilliance, my sharp wit, my originality, and my fundamental saintliness. Over time, and after years—decades—of diligent practice, I became very good at this cute little performance of mine. But this performance was improvised in the moment, catered to suit whoever I happened to be with. There was no strategy. It was always an effort. Only in solitude was I completely relaxed. Funny thing...

 

Robert Crumb

 

I always had the feeling that Ohlendorf was spiritually depressed. I mentioned several times to my wife, when we had Ohlendorf to dinner, that he seemed like a man who just could not be happy. Ohlendorf must have been very depressed on account of that experience. He could not laugh heartily - and a man who cannot is either depressed, or sick, or bad. I thought he had something in his soul which bothered him.

 

Otto Ohlendorf

 

I would say that the most emotional moment was her listening to the playback of "I'm a Fool to Want You." There were tears in her eyes... After we finished the album I went into the control room and listened to all the takes. I must admit I was unhappy with her performance, but I was just listening musically instead of emotionally. It wasn't until I heard the final mix a few weeks later that I realized how great her performance really was.

 

Billie Holiday