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Mark Tobey

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Our ground today is not so much the national or the regional ground as it is the understanding of this single earth. The earth has been round for some time now, but not in man’s relation to man, nor in the understanding of the arts of each as a part of that roundness. As usual we have occupied ourselves too much with the outer, the objective, at the expense of the inner world wherein tie true roundness lies.. ..America more than any other country is placed geographically to lead in this understanding., and if from past methods of behaviour she has constantly looked towards Europe, today she must assume her position, Janus-faced, toward Asia, for in not too long a time the waves of the Orient shall wash heavily upon her shores. All this is deeply related with her growth in the arts, particularly upon the Pacific slopes. Of this I am aware. Naturally my work will reflect such a condition and so it is not surprising to me when an Oriental responds to a painting of mine as well as an American or an European..
--
Fourteen Americans, Mark Tobey, exhibition catalogue MOMA New York, 1946, p. 70

 
Mark Tobey

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We cannot exert our understanding without from time to time understanding something of importance; and this act of understanding may be accompanied by the awareness of our understanding, by the understanding of understanding, by noesis noesos, and this is so high, so pure, so noble an experience that Aristotle could ascribe it to his God.

 
Leo Strauss
 

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A revolution is bloody, but America is in a unique position. She’s the only country in history in a position actually to become involved in a bloodless revolution. The Russian revolution was bloody, Chinese revolution was bloody, French revolution was bloody, Cuban revolution was bloody, and there was nothing more bloody then the American Revolution. But today this country can become involved in a revolution that won’t take bloodshed. All she’s got to do is give the black man in this country everything that’s due him, everything.
I hope that the white man can see this, ‘cause if he don’t see it, you’re finished. If you don’t see it you’re going to become involved in some action in which you don’t have a chance. And we don’t care anything about your atomic bomb; it’s useless because other countries have atomic bombs. When two or three different countries have atomic bombs, nobody can use them, so it means that the white man today is without a weapon. If you want some action, you gotta come on down to Earth. And there’s more black people on Earth than there are white people on Earth. The white man can never win another war on the ground. His days of war, victory, his reign, his days of ground victory are over.

 
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If America is to produce great painters and if young artists wish to assume a place in the history of the art of their country, their first desire should be to remain in America to peer deeper into the heart of American life, rather than spend their time abroad obtaining a superficial view of the art of the Old World. In the days when I studied abroad conditions were entirely different. The facilities for study in this country were meagre. There were even no life classes in our art schools and schools of painting. Naturally one had to seek instruction elsewhere, abroad. Today we need not do that.

 
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In a country where feeling for art is not one of the national characteristics, it is particularly difficult to arrive at a common understanding of the term "art". There are many obstacles in the way, and some of them are imposed by the mere existence of such a body as the Royal Academy, for lacking any intuition in this matter of art, the majority of people turn to that institution for guidance, and naturally assume that any work receiving its blessing must be a work of art in the strict meaning of the word, and consequently the artistic quality of a painting is, in the popular estimation, measured in ratio to its degree of photographic realism.

 
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