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..it was with the utmost reluctance that I found the figure could not serve my purposes.. ..But a time came when none of us could use the figure without mutilating it. (1959, looking back to the 1930s, fh)
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Abstract Expressionism, Davind Anfam, Thames and Hudson Ltd London, 1990, p. 143

 

Mark Rothko

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In the east the moon was rising, a full moon that lighted the landscape so that he could see every little clump of bushes, every grove of trees. And as he stood there, he realized with a sudden start that the moon was full again, that it was always full, it rose with the setting of the sun and set just before the sun came up, and it was always a great pumpkin of a moon, an eternal harvest moon shining on an eternal autumn world.
The realization that this was so all at once seemed shocking. How was it that he had never noticed this before? Certainly he had been here long enough, had watched the moon often enough to have noticed it. He had been here long enough — and how long had that been, a few weeks, a few months, a year? He found he did not know. He tried to figure back and there was no way to figure back. There were no temporal landmarks. Nothing ever happened to mark one day from the next. Time flowed so smoothly and so uneventfully that it might as well stand still.

 

Clifford D. Simak

 

I say, life and figure are distinct attributes of one substance, and as one and the same body may be transmuted into all kinds of figures; and as the perfecter figure comprehends that which is more imperfect; so one and the same body may be transmuted from one degree of life to another more perfect, which always comprehends in it the inferior. We have an example of figure in a triangular prism, which is the first figure of all right lined solid triangular prism, which is the first figure of all right lined solid bodies, where into a body is convertible; and from this into a cube, which is a perfecter figure, and comprehends in it a prism; from a cube it may be turned into a more perfect figure, which comes nearer to a globe, and from this into another, which is yet nearer; and so it ascends from one figure, more imperfect to another more perfect, ad infinitum; for here are no bounds; nor can it be said, this body cannot be changed into a perfecter figure: But the meaning is that that body consists of plane right lines; and this is always chageablee into a perfecter figure, and yet can never reach to the perfection of a globe, although it always approaches nearer unto it; the case is the same in diverse degrees of life, which have indeed a beginning, but no end; so that the creature is always capable of a farther and perfecter degree of life, ad infinitum, and yet can never attain to be equal with God; for he is still infinitely more perfect than a creature, in its highest elevation or perfection, even as a globe is the most perfect of all other figures, unto which none can approach.

 

Anne Conway

 

Hypnotized by their rear-view mirrors, philosophers and scientists alike tried to focus the figure of man in the old ground of nineteenth-century industrial mechanism and congestion. They failed to bridge from the old figure to the new. It is man who has become both figure and ground via the electrotechnical extension of his awareness. With the extension of his nervous system as a total information environment, man bridges art and nature.

 

Marshall McLuhan

 

If you wish to make a figure in marble, first make one of clay, and when you have finished it, let it dry and place it in a case which should be large enough, after the figure is taken out of it, to receive also the marble, from which you intend to reveal the figure in imitation of the one in clay.

 

Leonardo da Vinci

 

Close the door. Write with no one looking over your shoulder. Don't try to figure out what other people want to hear from you; figure out what you have to say. It's the one and only thing you have to offer.

 

Barbara Kingsolver