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And the music came back with the carnival, the music you've heard as far back as you can remember, ever since you were little, that's always playing somewhere, in some corner of the city, in little country towns, wherever poor people go and sit at the end of the week to figure out what's become of them, sometimes here, sometimes there, from season to season, it tinkles and grinds out the tunes that rich people danced to the year before. It's the mechanical music that floats down from the wooden horses, from the cars that aren't cars anymore, from the railways that aren't at all scenic, from the platform under the wrestler who hasn't any muscles and doesn't come from Marseille, from the beardless lady, the magician who's a butter-fingered jerk, the organ that's not made of gold, the shooting gallery with the empty eggs. It's the carnival made to delude the weekend crowd.
We go in and drink the beer with no head on it. But under the cardboard trees the stink of the waiter's breath is real. And the change he gives you has several peculiar coins in it, so peculiar that you go on examining them for weeks and weeks and finally, with considerable difficulty, palm them off on some beggar. What do you expect at the carnival? Gotta have what fun you can between hunger and jail, and take things as they come. No sense complaining, we're sitting down aren't we? Which ain't to be sneezed at. I saw the same old Gallery of the Nations, the one Lola caught sight of years and years ago on that avenue in the park of Saint-Cloud. You always see things again at carnivals, they revive the joy of past carnivals. Over the years the crowds must have come back time and again to stroll on the main avenue of the park of Saint-Cloud...taking it easy. The war had been over long ago. And say I wonder if that shooting gallery still belonged to the same owner? Had he come back alive from the war? I take an interest in everything. Those are the same targets, but in addition, they're shooting at airplanes now. Novelty. Progress. Fashion. The wedding was still there, the soldier too, and the town hall with its flag. Plus a few more things to shoot at than before.

 

Louis-Ferdinand Celine

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On Saturday night, I would see men lusting after half-naked girls dancing at the carnival, and on Sunday morning when I was playing organ for tent-show evangelists at the other end of the carnival lot, I would see these same men sitting in the pews with their wives and children, asking God to forgive them and purge them of carnal desires. And the next Saturday they'd be back at the carnival or some other place of indulgence. I knew then that the Christian church thrives on hypocrisy, and that man's carnal nature will out no matter how much it is purged or scoured by any white-light religion.

 

Anton LaVey

 

I have made many things wrong in my life. I should have made many things better in my life, not only to Nastassja but many things. If someone said to me, 'You did everything wrong in your life,' I would say, 'Okay, maybe you're right.' But my way is the only way I can exist. I can feel and express things to understand how true somethings is. People in my life have tried to change me, and I have blown up even more violently and I said, 'What, do you really want to distort me?' What's left, you have to do it your way. I don't need a Bible to tell me I'm doing wrong a hundred million times in my life. Everything I did wrong in my life I am suffering a long time. It's coming back and back and back and back to me for years. I am not ashamed to tell myself what I am doing wrong, but there must always be a way to understand that's all I can do. What I want to say is I tried, okay, I tried, and I'm not breaking my head that it's not happened. It's like a growing plant. This tiny things is coming out, you can feel it coming out, it's breaking through, so it may be one day that she will understand many more things than she understands today. Nobody can come to me and say, 'Why haven't you seen this and why and why.' I know what I have to do.

 

Klaus Kinski

 

I think Ron Paul is right on the economy. I think Ron Paul is right on the Fed, he's right on gold. He's right on the size of government. He's also right on foreign affairs, to this extent: we should not be in the situation that we're in. But it wasn't the war in Iraq, it started long before, you can track this last course all the way back to World War I. [...] when you find a libertarian that will say: it has taken us over 200 years to put ourselves in this situation, what I think we need to do is turn the corner. We clearly can't cut all foreign alliances right now, we clearly can't just pull all of our troops back from all around the world. We can't do those things. But what we can do is set course to where America pulls back slowly, America does the right thing, and we bring our troops home and we say we're not the policeman for the world anymore. [...] the number one thing to get us to do that, is to be self-reliant on money, and self-reliant on energy. So that's what I want to hear from a libertarian, I want to hear: this is the 50 year plan. But unfortunately, everybody is looking at 2 years, 6 years, 4 years. And by doing that, you're never gonna get anything accomplished.

 

Ron Paul

 

My sense of history in music is much greater than a lot of people's. I listen a lot further back in the whole history of music. It's not just pop music of the last 20, 30, 40, 50 years. I'm listening to stuff from hundreds of years ago as well, because you can learn from everything.

 

Elvis Costello

 

At some point I thought that, as I got older, I’d come to terms with a lot of things. I’d solve some big problems, and eventually I’d become content. It’s almost more depressing to think that the older you get, the more your problems multiply. When I’m old, I’d like to wake up in the morning and not really do anything — just be happy to exist. I’d like to look at my accomplishments and sit back and revel in my own achievement. But I don’t think that’ll ever happen.
Before I made a living playing music, I used to work shitty job after shitty job and think “Man, as soon as I’m able to make a living in music, it’s really going to come together then, it’s really going be amazing.” I remember hoping there’d be 10 people at a show in 1998 when there was an incredible write-up in the local weekly. I don’t want to go back to that period of being obscure and having nobody know who I am, let alone have to struggle to get people to come to the show. I remember what it was like, and it was shitty.

 

Ben Gibbard