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I came from a family where my people didn't like rhythm and blues. Bing Crosby - "Pennies from Heaven" - Ella Fitzgerald, was all I heard.
--
quoted in Hamm (1979). Yesterdays, p.391.
--
Middleton, Richard (1990/2002). Studying Popular Music. Philadelphia: Open University Press. ISBN 0335152759.

 

Little Richard

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Hey, get rhythm when you get the blues.
Hey, get rhythm when you get the blues.
Yes a jumpy rhythm makes you feel so fine.
It'll shake all the trouble from your worried mind.
Get rhythm when you get the blues.

 

Johnny Cash

 

On the bus going home I heard a most fascinating conversation between an old man and woman. "What a thing, though," the old woman said. "You'd hardly credit it." "She's always made a fuss of the whole family, but never me," the old man said. "Does she have a fire when the young people go to see her?" "Fire?" "She won't get people seeing her without warmth." "I know why she's doing it. Don't think I don't," the old man said. "My sister she said to me, 'I wish I had your easy life.' Now that upset me. I was upset by the way she phrased herself. 'Don't talk to me like that,' I said. 'I've only got to get on the phone and ring a certain number,' I said, 'to have you stopped.'" "Yes," the old woman said, "And you can, can't you?" "Were they always the same?" she said. "When you was a child? Can you throw yourself back? How was they years ago?" "The same," the old man said. "Wicked, isn't it?" the old woman said. "Take care, now" she said, as the old man left her. He didn't say a word but got off the bus looking disgruntled.

 

Joe Orton

 

[Is "90 Millas" another crossover -- into World Music?] I can see that. The core is African rhythm -- half of the world's music comes from that. The difference between our music and American blues: Cubans may have been slaves, but in Cuba slaves became part of the family. They could buy their freedom. And they are Island people. And Island people are happier. But, you know, in the '80s, when we released "Conga," wasn't that World Music? Everywhere we went, people got it. And why? The drums. So maybe all music is World Music, and the only question is: Do you like it?

 

Gloria Estefan

 

I'm not big on Halloween. I never have been. As a kid my parents would send me out to collect for UNICEF, which just screws up the whole holiday. You're wearing a costume and people are giving you pennies and you're going, "Well, give me some candy, you f**k." And the grown-ups tell you, "Absolutely not. You've got your pennies. Now go build a village, you little shit." It still brings a tear to my eye.

 

Lewis Black

 

But the last side, recorded during rehearsals for his 1968 television special, is another treat, as fine and tough and overflowing with heart and soul as any of his 50's recordings. Playing an electric guitar, rather than his customary acoustic model, he traded fluid rhythm and lead parts with Scotty Moore, their interplay almost telepathic. And with his original drummer, D. J. Fontana, stoking the fires, this music moved, from the ferocious version of Rufus Thomas's Sun Records label blues "Tiger Man" to Jimmy Reed blues shuffles, to smoldering New Orleans triplet-style blues-ballads like "Lawdy Miss Clawdy" and "One Night". This is rock and roll as good as it gets.

 

Elvis Presley