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The vast material displacements the machine has made in our physical environment are perhaps in the long run less important than its spiritual contributions to our culture.
--
"The Drama of the Machines" in Scribner's Magazine (August 1930)

 

Lewis Mumford

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But the most important of all is the spiritual patrimony, because it alone bears the seal of eternity, it alone transcends all times. The ancient Greeks are with us today not because of their physiques, no matter how athletic--those are only ashes now--nor because of their material wealth, if they had such, but because of their culture.

 

Corneliu Zelea Codreanu

 

I have a great belief in spiritual force, but I think we have to realize that spiritual force alone has to have material force with it so long as we live in a material world. The two together make a strong combination. (17 May 1940)

 

Eleanor Roosevelt

 

What we call thought (1) is itself an orderly thing, and (2) can only be applied to material, i.e. to perceptions or experiences, which have a certain degree of orderliness. This has two consequences. First, a physical organization, to be in close correspondence with thought (as my brain is with my thought) must be a very well-ordered organization, and that means that the events that happen within it must obey strict physical laws, at least to a very high degree of accuracy. Secondly, the physical impressions made upon that physically well-organized system by other bodies from outside, obviously correspond to the perception and experience of the corresponding thought, forming its material, as I have called it. Therefore, the physical interactions between our system and others must, as a rule, themselves possess a certain degree of physical orderliness, that is to say, they too must obey strict physical laws to a certain degree of accuracy.
PHYSICAL LAWS REST ON ATOMIC STATISTICS AND ARE THEREFORE ONLY APPROXIMATE

 

Erwin Schrodinger

 

What is man? ... What a strange union of matter and mind! A machine for converting material into spiritual force.

 

Benjamin Peirce

 

I am often asked why I nearly always select old material, fairy tales and legends for my stage works. I do not look upon them as old, but rather as valid material. The time element disappears, and only the spiritual power remains. My entire interest is in the expression of spiritual realities. I write for the theater in order to convey a spiritual attitude.

 

Carl Orff