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For the sake of brevity, we will always represent this number 2.718281828459... by the letter e.

 

Leonhard Euler

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Infancy is what is eternal, everything else is brevity, extreme brevity.

 

Antonio Porchia

 

During the renaissances in thinking led by Shakespeare and Goethe, the first new development in memory techniques for 1,700 years appeared: the Major System. This was the first system that enabled the user to transfer easily and instantaneously from numbers to letters, thus creating the opportunity for a system that could stretch from zero to an infinite number, and which allowed the user to translate any word into its own special number, and any number into its own special letter. This multiplied the opportunity for developing memory techniques 100-fold.

 

Tony Buzan

 

Feuerbach … recognizes ... "even love, in itself the truest, most inward sentiment, becomes an obscure, illusory one through religiousness, since religious love loves man only for God’s sake, therefore loves man only apparently, but in truth God only.” Is this different with moral love? Does it love the man, this man for this man’s sake, or for morality’s sake, for Man’s sake, and so—for homo homini Deus—for God’s sake?

 

Max Stirner

 

I blame science! I blame technology! Domin! Myself! All of us! We, we are at fault! For the sake of our megalomania, for the sake of somebody's profits, for the sake of progress, I don't know, for the sake of some tremendous something we have murdered humanity! So now you can crash under the weight of all your greatness! No Genghis Khan has ever erected such an enormous tomb from human bones!

 

Karel Capek

 

When you wish to represent a man speaking to a number of people, consider the matter of which he has to treat and adapt his action to the subject. Thus, if he speaks persuasively, let his action be appropriate to it. If the matter in hand be to set forth an argument, let the speaker, with the fingers of the right hand hold one finger of the left hand, having the two smaller ones closed; and his face alert, and turned towards the people with mouth a little open, to look as though he spoke; and if he is sitting let him appear as though about to rise, with his head forward. If you represent him standing make him leaning slightly forward with body and head towards the people. These you must represent as silent and attentive, all looking at the orator's face with gestures of admiration; and make some old men in astonishment at the things they hear, with the corners of their mouths pulled down and drawn in, their cheeks full of furrows, and their eyebrows raised, and wrinkling the forehead where they meet.

 

Leonardo da Vinci