We turned the switch, saw the flashes, watched for ten minutes, then switched everything off and went home. That night I knew the world was headed for sorrow.
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As quoted in The Making Of The Atomic Bomb (1986) by Richard RhodesLeo Szilard
All we had to do was lean back, turn a switch and watch a screen of a television tube. If flashes of light appeared on the screen it would mean that liberation of atomic energy would take place in our lifetime. We turned the switch, saw the flashes — we watched for about five minutes — then switched everything off and went home. That night I knew the world was headed for trouble.
Leo Szilard
We watched the film and everybody was saying that he just turned into the Incredible Hulk the last four minutes of the game, just killing people and running over and tackling whoever had the ball.
Brian Urlacher
They shaved my head and took layers of skin from my scalp. To heal the wounds, I was in a hyperbaric chamber for 90 minutes twice daily for four days. It’s claustrophobic. One of my first nights home, I watched ‘Iron Man’ with friends. In the scene where Robert Downey Jr. comes out of the cave with a blowtorch, my whole body cringed. That night, I had a nightmare someone spilled fuel on me and was trying to light me on fire. I woke up and thought, ‘Oh my God, this is going to happen forever?’
Adam Goldstein
You ever hang out all night long and then you go home a little early? Then you get that call the next day? You know that call: “You shoulda hung out man!” “What happened?!” “Ohhh! 10 minutes after you left.” It’s always 10 minutes after you leave when the all fun shows up. Like the fun-mobile is a block behind ya at all times. Full of strippers, and midgets, and balloons. And every type of fun imaginable. “10 minutes after you left, the Dixie Chicks broke in and f**ked everybody. Even the fat boy with asthma wearing the Babylon 5 tee-shirt got a hand job. And it’s never gonna happen again. After I heard that I started to cry; mostly cause I sat on my balls.
Dave Attell
Have you, with your work, made anyone glow? Erupted their sorrow? Evicted their woe? Have you been anyone's consolation through a night? Have you evoked unrehearsed emotion? Chiseled a crack in someone's encasement and watched them escape? Followed the muses wherever they led? Kept on creating when left for dead? Do not bother me with punctuation until you have earned your degree.
Vanna Bonta
Szilard, Leo
Szymborska, Wislawa
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