Suppose you went back to Ada Lovelace and asked her the difference between a script and a program. She'd probably look at you funny, then say something like: Well, a script is what you give the actors, but a program is what you give the audience. That Ada was one sharp lady...
Larry Wall
We see only the script and not the paper on which the script is written. The paper is there, whether the script is on it or not. To those who look upon the script as real, you have to say that it is unreal--an illusion--since it rests upon paper. The wise person looks upon both paper and script as one.
Ramana Maharshi
"It's not the position of this program, or me, or [wife/program producer] Kathy [Bay], or anybody associated with this program to try to educate anybody about anything. You take from this program what you want; if you think I'm a wacko left-wing communist nutcase - fine! Run with it...jerk! If you think it's a fun program, go with that. If you get something - a link - go with that.
Mike Malloy
Well what happened was I was asked to be on Seinfeld. They said: “Would you do a Seinfeld?” And I said, and I just happened to know to see a few Seinfelds and I knew these guys were really tops; they were really, really clever guys, and I liked the show. And so I said “Sure!” and I thought they would ask me to do a walk-on, the way it came: "Would you come be part of the show?" And I said “Yeah, sure I’ll do it.” You know what I mean? Then I got the script and my name was on every page because it was about my car. And I laughed; it was hysterically funny. So I was really delighted to do it. The writer came up to me and he said “Jon, would you come take a look at my car to see if you ever owned it?”, because the writer wrote it from a real experience where someone sold him the car based on the fact that it was my car. And I went down and I looked at the car and I said “No, I never had this car.” So unfortunately I had to give him the bad news. But it was a funny episode.
Jon Voight
Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing. This script portrays such human beings — the kind who cannot survive without lies to make them feel they are better people than they really are. It even shows this sinful need for flattering falsehood going beyond the grave —even the character who dies cannot give up his lies when he speaks to the living through a medium. Egoism is a sin the human being carries with him from birth; it is the most difficult to redeem. This film is like a strange picture scroll that is unrolled and displayed by the ego. You say that you can’t understand this script at all, but that is because the human heart itself is impossible to understand. If you focus on the impossibility of truly understanding human psychology and read the script one more time, I think you will grasp the point of it.
Akira Kurosawa
I have become cautious. There is no fixed formula. Today audience's sensibilities are sharp. You can't feed them rubbish. They want to watch good films. The script has to be appealling. Even if it is larger than life, it has to be realistic. Audiences have to identify with what you are showing.
Rani Mukerji
Wall, Larry
Walla, Chris
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