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Keira Knightley

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Prince William definitely isn't my type, he's too horsey-looking.
--
Interview for the Daily Mirror (August 2004)

 
Keira Knightley

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I saw a picture of Prince William, HRH William, in the paper today. He's going bald. I reckon by the end of next year he will be bald and I'm glad about that. Because of his playboy prince status and that, it makes me feel insecure about my own looks.

 
Russell Brand
 

William, Prince of Orange, called William the Silent, was the natural leader of the Netherlands at this crisis, and he was chosen by Holland and Zealand as their governor. He was the determined foe of Spanish tyranny, and his strength of mind and farsighted statesmanship gave promise of success. Yet, for the little country of the Netherlands to stand out against the mighty power of Spain would have seemed fool-hardy, had it not been for the fact that the Protestants of Germany, England, and France could be relied upon for aid. In military strength and in the brilliancy of generals, Spain had greatly the advantage. her armies were commanded successively by the greatest soldiers of the time, -Don John of Austria (1576-1578) and after him Alexander Farnese, Duke of Parma. Against their skill was pitted the high courage and inflexible will of William, who, like our Washington, was greatest in the time of difficulty and defeat.

 
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William always scanned the airports and airplanes for little brown guys who reeked of fundamentalism. That meant William was equally afraid of Osama bin Laden and Jerry Falwell wearing the last vestiges of a summer tan. William himself was a little brown guy, so the other travelers were always sniffing around him, but he smelled only of Dove soap, Mennen deoderant, and sarcasm.

 
Sherman Alexie
 

William the Silent, Prince of Orange, was a distinctive character, cast in a peculiar period of history. He was in thought and desire centuries ahead of the possibilities of his time, and had to contend with ideas among those he served that were as difficult to overcome as were the forces of the Spanish Crown, with which his life was spent in doing battle.

 
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As I search the archives of my memory I seem to discern six types or methods which divide themselves from one another with measurable distinctness. There is the type magisterial or imperative; the type laconic or sententious; the type conversational or homely; the type refined or artificial, smelling of the lamp, verging at times upon preciosity or euphuism; the demonstrative or persuasive; and finally the type tonsorial or agglutinative, so called from the shears and the pastepot which are its implements and emblem.

 
Benjamin N. Cardozo
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