Music is the universal language of mankind.
--
Nocted Ambrosianae (1822-5)John Wilson
Music is the universal language of mankind — poetry their universal pastime and delight.
Henry Wadsworth Longfellow
Music is a plane of wisdom, because music is a universal language, it is a language of honor, it is a noble precept, a gift of the Airy Kingdom, music is air, a universal existence … common to all the living.
Sun Ra
The mentality of mankind and the language of mankind created each other. If we like to assume the rise of language as a given fact, then it is not going too far to say that the souls of men are the gift from language to mankind. The account of the sixth day should be written: He gave them speech, and they became souls.
Alfred North Whitehead
But we have higher mathematics, haven't we? This gives me freedom from my senses. The language of mathematics is even more inborn and universal than the language of music; a mathematical formula is crystal clear and independent of all sense organs. I therefore built a mathematical laboratory, set myself in it as if I were sitting in a car, and moved along with a beam of light.
Albert Einstein
The crucial and monumental development in the art music of our century has been the qualitative change in the foundational premises of our musical language--the change from a highly chromaticized tonality whose principle functions and operations are still based on a limited selection, the seven notes of the diatonic scale, from the universal set of twelve pitch classes to a scale that comprehends the total pitch-class content of that universal set. We can point to the moment of that change with some precision. It occurs most obviously in the music of Scriabin and the Vienna circle, Schoenberg, Webern, and Berg, in 1909-1910, and very soon afterwards, though less obviously, in the music of Bartok and Stravinsky. I think it is safe to say that nothing of comparable signifigance for music has ever occurred, because the closing of the circle of fifths gives us a symmetrical collection of all twelve pitch classes that eliminates the special structural function of the perfect fifth itself, which has been the basis of every real musical system that we have hitherto known.
George Perle
Wilson, John
Wilson, Joseph C.
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