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It was one of history’s great love stories, the mutually profitable romance which Hollywood and bohunk America conducted almost in the dark, a tapping of fervent messages through the wall of the San Gabriel Range.

 

John Updike

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Yes, movies! Look at them — All of those glamorous people — having adventures — hogging it all, gobbling the whole thing up! You know what happens? People go to the movies instead of moving! Hollywood characters are supposed to have all the adventures for everybody in America, while everybody in America sits in a dark room and watches them have them! Yes, until there's a war. That's when adventure becomes available to the masses! Everyone's dish, not only Gable's! Then the people in the dark room come out of the dark room to have some adventures themselves — Goody, goody! — It's our turn now, to go to the south Sea Island — to make a safari — to be exotic, far-off! — But I'm not patient. I don't want to wait till then. I'm tired of the movies and I am about to move!

 

Tennessee Williams

 

The history of the Bible text is a romance of literature, though it is a romance of which the consequences are of vital import; and thanks to the succession of discoveries which have been made of late years, we know more about it than of the history of any other ancient book in the world.

 

Frederic G. Kenyon

 

... the secret of the Great Stories is that they have no secrets. The Great Stories are the ones you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don't deceive you with thrills and trick endings. They don't surprise you with the unforeseen.. They are as familiar as the house you live in. Or the smell of your lover's skin. You know how they end yet you listen as though you don't. In the way that you know that one day you will die, you live as though you won't. In the Great Stories you know who lives, who dies, who finds love, who doesn't. And yet you want to know again. That is their mystery and their magic. ...

 

Arundhati Roy

 

And we have so much work to do in America, because all across America, there are walls ... There's a wall around Washington, D.C. The American people are, today, on the outside of that wall. And on the inside are the big corporations and the lobbyists who are working to protect a system that takes care of them. ... There is another wall that divides us. It's the moral shame of 37 million of our own people who wake up in poverty every single day This is not OK. And for eight long, long years, this wall has gotten taller And there's also a wall that's divided our image in the world. The America as the beacon of hope is behind that wall. And all the world sees now is a bully. They see Iraq, Guantanamo, secret prison and government that argues that water boarding is not torture. This is not OK. That wall has to come down for the sake of our ideals and our security. We can change this. We can change it. Yes we can. If we stand together, we can change it. ... This is not going to be easy. It's going to be the fight of our lives. But we're ready, because we know that this election is about something bigger than the tired old hateful politics of the past. This election is about taking down these walls that divide us, so that we can see what's possible -- what's possible, that one America that we can build together.

 

John Edwards

 

Earlier fundamental work of Whitehead, Russell, Wittgenstein, Carnap, Whorf, etc., as well as my own attempt to use this earlier thinking as an epistemological base for psychiatric theory, led to a series of generalizations: That human verbal communication can operate and always does operate at many contrasting levels of abstraction. These range in two directions from the seemingly simple denotative level (“The cat is on the mat”). One range or set of these more abstract levels includes those explicit or implicit messages where the subject of discourse is the language. We will call these metalinguistic (for example, “The verbal sound ‘cat’ stands for any member of such and such class of objects”, or “The word, ‘cat’ has no fur and cannot scratch”). The other set of levels of abstraction we will call metacommunicative (e.g., “My telling you where to ?nd the cat was friendly”, or “This is play”). In these, the subject of discourse is the relationship between the speakers. It will be noted that the vast majority of both metalinguistic and metacommunicative messages remain implicit; and also that, especially in the psychiatric interview, there occurs a further class of implicit messages about how metacommunicative messages of friendship and hostility are to be interpreted.

 

Gregory Bateson