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There had been a lot of death in the newspapers lately. [...] and then before Christmas that Pan Am Flight 103 ripping open like a rotten melon five miles above Scotland and dropping all these bodies and flaming wreckage all over the golf course and the streets of this little town like Glockamorra, what was its real name, Lockerbie. Imagine sitting there in your seat being lulled by the hum of the big Rolls-Royce engines and the stewardesses bringing the clinking drinks caddy and the feeling of having caught the plane and nothing to do now but relax and then with a roar and a giant ripping noise and scattered screams this whole cozy world dropping away and nothing under you but black space and your chest squeezed by the terrible unbreathable cold, that cold you can scarcely believe is there but that you sometimes actually feel still packed into the suitcases, stored in the unpressurised hold, when you unpack your clothes, the dirty underwear and beach towels with the merciless chill of death from outer space still in them. [...] Those bodies with hearts pumping tumbling down in the dark. How much did they know as they fell, through air dense like tepid water, tepid gray like this terminal where people blow through like dust in an air duct, to the airline we're all just numbers on the computer, one more or less, who cares? A blip on the screen, then no blip on the screen. Those bodies tumbling down like wet melon seeds.

 

John Updike

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You ask women, “You know how painful is it? What are talking about here?” And you don’t get an answer, you get anger...and it always starts with the melon...“IMAGINE A MELON!...COMING THROUGH YOUR FACE!...f**kin' stay there, I’ll get a melon!”

 

Dylan Moran

 

I switched on the high speed recorder and it came blip.... blip.... blip.... blip.... blip.... Clearly the same family, the same sort of stuff and that was great, that was really sweet. It finally scotched the little green men hypothesis cos it's highly unlikely there's two lots of little green men, opposite sides of the universe, both deciding to signal to a rather inconspicuous planet earth, at the same time, using a daft technique and a rather common place frequency. It has to be some new kind of star, not seen before, and that then cleared the way for us publishing, going public!

 

Jocelyn Bell Burnell

 

To have no food for our heads no food for our hearts, no food for our activity, is that nothing? If we have no food for the body, how do we cry out, how all the world hears of it, how all the newspapers talk of it, with a paragraph headed in great capital letters, DEATH FROM STARVATION! But suppose one were to put a paragraph in the Times, Death of Thought from Starvation, or Death of Moral Activity from Starvation, how people would stare, how they would laugh and wonder! One would think we had no heads nor hearts, by the total indifference of the public towards them. Our bodies are the only things of any consequence.

 

Florence Nightingale

 

The essences of the Gods never came into existence (for that which always is never comes into existence; and that exists for ever which possesses primary force and by nature suffers nothing): neither do they consist of bodies; for even in bodies the powers are incorporeal. Neither are they contained by space; for that is a property of bodies. Neither are they separate from the first cause nor from one another, just as thoughts are not separate from mind nor acts of knowledge from the soul.

 

Sallustius (or Sallust)

 

The universe according to Bohm actually has two faces, or more precisely, two orders. One is the explicate order, corresponding to the physical world as we know it in day-to-day reality, the other a deeper, more fundamental order which Bohm calls the implicate order. The implicate order is the vast holomovement. We see only the surface of this movement as it presents or "explicates" itself from moment to moment in time and space. What we see in the world — the explicate order — is no more than the surface of the implicate order as it unfolds. Time and space are themselves the modes or forms of the unfolding process. They are like the screen on the video game. The displays on the screen may seem to interact directly with each other but, in fact, their interaction merely reflects what the game computer is doing. The rules which govern the operation of the computer are, of course, different from those that govern the behavior of the figures displayed on the screen. Moreover, like the implicate order of Bohm's model, the computer might be capable of many operations that in no way apparent upon examination of the game itself as it progresses on the screen.

 

David Bohm