"Artists have a sensibility that others don't have. They have a way of reading into the future."
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"All in the family", TIME, 06-25-2006John Elkann
All reading, in truth, is reading in a content area. To read the phrase "the law of diminishing returns" or "the law of supply and demand" requires that you know how the word "law" is used in economics, for it does not mean what it does in the phrase "the law of inertia" (physics) or "Grimm's law" (linguistics) or "the law of the land" (political science) or "the law of survival of the fittest" (biology). To the question, "What does 'law' mean?" the answer must always be, "In what context?"
Neil Postman
I've noticed a certain anti-intellectualism going around this country; since about 1980, coincidentally enough. … I was in Nashville, Tennessee, and after the show I went to a Waffle House. I'm not proud of it, but I was hungry. And I'm sitting there eating and reading a book. I don't know anybody, I'm alone, so I'm reading a book. The waitress comes over to me like, [gum smacking] "What'chu readin' for?" I had never been asked that. Not "What am I reading?", but "What am I reading for?" Goddammit, you stumped me. Hmm, why do I read? I suppose I read for a lot of reasons, one of the main ones being so I don't end up being a f**king waffle waitress.
Bill Hicks
These days there are painters that go inside a factory in order to be inspired by the noise of machines, so that it affects their works. Of course, artists need sensibility; sensibility towards their environment and their community, but when they are stirred enough by their experiences in their society they can create their art in small studios.
Guity Novin
And how often do we meet the man who prefaces his remarks with: "I was reading a book last night..." in the too loud, overenunciated fashion of one who might be saying: "I keep a hippogryph in my basement." Reading confers status.
Robertson Davies
There are, without doubt, great possibilities in the serious exploitation of the astronomical tale; as a few semi-classics like "The War of the Worlds", "The Last and First Men", "Station X", "The Red Brain", and Clark Ashton Smith's best work prove. But the pioneers must be prepared to labour without financial return, professional recognition, or the encouragement of a reading majority whose taste has been seriously warped by the rubbish it has devoured. Fortunately sincere artistic creation is its own incentive and reward, so that despite all obstacles we need not despair of the future of a fresh literary form whose present lack of development leaves all the more room for brilliant and fruitful experimentation.
H. P. Lovecraft
Elkann, John
Elliot, Cass
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