The only excuse for a novelist, aside from the entertainment and vicarious living his books give the people who read them, is as a sort of second-class historian of the age he lives in. The "reality" he missed by writing about imaginary people, he gains by being able to build a reality more nearly out of his own factual experience than a plain historian or biographer can.
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"Statement of Belief," Bookman, Sept 1928John Dos Passos
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It is the historical mind, rather than the scientific (in the physicist's sense), that destroyed the mythical orientation of European culture; the historian, not the mathematician, introduced the "higher criticism," the standard of actual fact. It is he who is the real apostle of the realistic age. Science builds its structure of hypothetical "elements" and laws of their behavior, touching on reality at crucial points . . . . But the historian does not locate known facts in a hypothetical, general pattern of processes; his aim is to link fact to fact, one unique knowable event to another individual one that begot it.
Susanne Langer
...they give us vicarious satisfactions for many of our frustrations. ...People need exercise; they do not need to watch other people exercise... Another vicarious satisfaction is sexy magazines; this is vicarious sex. To anyone rushing to buy one, I'd like to say, "The real thing is better."
Carroll Quigley
"It's possible, but not interesting," Lonnrot answered. "You will reply that reality hasn't the slightest need to be of interest. And I'll answer you that reality may avoid the obligation to be interesting, but that hypotheses may not. In the hypothesis you have postulated, chance intervenes largely. Here lies a dead rabbi; I should prefer a purely rabbinical explanation; not the imaginary mischances of an imaginary robber."
Jorge Luis Borges
I was a narrative historian, believing more and more as I matured that the first function of the historian was to answer the child's question, "What happened next?"
A. J. P. Taylor
I am a fictionalizing philosopher, not a novelist; my novel & story-writing ability is employed as a means to formulate my perception. The core of my writing is not art but truth. Thus what I tell is the truth, yet I can do nothing to alleviate it, either by deed or explanation. Yet this seems somehow to help a certain kind of sensitive troubled person, for whom I speak. I think I understand the common ingredient in those whom my writing helps: they cannot or will not blunt their own intimations about the irrational, mysterious nature of reality, & for them, my corpus of writing is one long ratiocination regarding this inexplicable reality, an investigation & presentation, analysis & response & personal history. My audience will always be limited to those people.
Philip Kindred - a.k.a. PKD Dick
Dos Passos, John
Dostoevsky, Fyodor
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