O how I feel, just as I pluck the flower
And stick it to my breast — words can't reveal;
But there are souls that in this lovely hour
Know all I mean, and feel whate'er I feel.
--
"Nature"John Clare
The aesthetic event is something as evident, as immediate, as indefinable as love, the taste of fruit, of water. We feel poetry as we feel the closeness of a woman, or as we feel a mountain or a bay. If we feel it immediately, why dilute it with other words, which no doubt will be weaker than our feelings?
Jorge Luis Borges
Well, I think it is accidental. It’s just something I started doing naturally and it had a lot to do with reading. I think that Dylan Thomas, his prose and poetry, was a big influence on me. Just his use of words… He would use so many odd words: like these three- and four-syllable words that you just don’t normally hear. And they’re not used in a manner that sets the text apart from the reader. Rather they’re drawing the reader in. It’s entirely based on the alliteration of the word itself—onomatopoeia and things like that. I feel like a lot of the words I use don’t stick out in the song because they keep the feel of the song in mind. The rhythm—that’s the primary thing. They’re put in there for rhythm and alliteration as much as they are for meaning. And as long as they are not used extraneously, they’re real lightning rods for people listening to the lyrics. If the words are really helping out the rhythm of the song then all they’re going to do is draw the listener in even more
Colin Meloy
Feel your hair come tumbling down
Feel your feet start kissing the ground
Feel your arms are opening out
And see your eyes are lifted to God
With no words, with no song
I'm gonna dance the dream
And make the dream come true...Kate Bush
Feminists have often claimed a moral equivalence for sexual and racial prejudice. There are certain affinities and one or two of these affinities are mildly and paradoxically encouraging. Sexism is like racism: we all feel such impulses. Our parents feel them more strongly than we feel them; our children, we trust, will feel them less strongly than we feel them. People don't change or improve much, but they do evolve. It is very slow.
Martin Amis
As you do not feel the weight of your head, of hands, and of feet ... so do I feel that these persons are all organic members of THIS BODY; so I don't feel their pressure or find their worries weighing on me. Their joys and sorrows, problems and their solutions, I feel to be vitally mine ... I have no ego sense nor conception of separateness.
Sri Anandamoyi Ma
Clare, John
Clark , William
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