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there are two thing you need for a jolly good hymn.The first is a set of words that expresses the mood or sentiment of the worshipper.The second-and perhaps even more important- is a good tune..with a simple popular melody.

 

John Betjeman

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And now the means that you use. What means do you use in order to carry out your occupation? Are the means as important to you as the end, wholly as important? Otherwise it is impossible for you to will only one thing, for in that case the irresponsible, the frivolous, the self-seeking, and the heterogeneous means would flow in between in confusing and corrupting fashion. Eternally speaking, there is only one means and there is only one end: the means and the end are one and the same thing. There is only one end: the genuine Good; and only one means: this, to be willing only to use those means which genuinely are good -- but the genuine Good is precisely the end. In time and on earth one distinguishes between the two and considers that the end is more important than the means. One thinks that the end is the main thing and demands of one who is striving that he reach the end. He need not be so particular about the means. Yet this is not so, and to gain an end in this fashion is an unholy act of impatience. In the judgment of eternity the relation between the end and the means is rather the reverse of this.

 

Soren Aabye Kierkegaard

 

“Try to be a man about whom nothing is known,” our father said, when we were young. Our father said several other interesting things, but we have forgotten what they were. “Keep quiet,” he said. That we remember. He wished more quiet. One tends to want that, in a National Park. Our father was a man about whom nothing was known. Nothing is known about him still. He gave us the recipes. He was not very interesting. A tree is more interesting. A suitcase is more interesting. A canned good is more interesting. When we sing the father hymn, we notice that he was not very interesting. The words of the hymn notice it. It is explictly commented upon, in the text.

 

Donald Barthelme

 

—On the dedication page of the rebellion, we see the words “To Clementine”. A fine sentiment, miscellaneous organ music next, and, turning several pages, massed orange flags at the head of the column. This will not be easy, but neither will it be hard. Good will is everywhere, and the lighthearted song of the gondoliers is heard in the distance.
—Yes, success is everything. Morally important as well as useful in a practical way.
—What have the rebels captured thus far? One zoo, not our best zoo, and a cemetery. The rebels have entered the cages of the tamer animals and are playing with them, gently.
—Things can get better, and in my opinion will.
—Their Graves Registration procedures are scrupulous—accurate and fair.
—There’s more to it than playing guitars and clapping along. Although that frequently gets people in the mood.
—Their methods are direct, not subtle. Dissolution, leaching, sandblasting, cracking and melting of fireproof doors, condemnation, water damage, slide presentations, clamps and buckles.
—And skepticism, although absolutely necessary, leads to not very much.

 

Donald Barthelme

 

I cannot eat but little meat,
My stomach is not good;
But sure I think that I can drink
With him that wears a hood.
Though I go bare, take ye no care,
I nothing am a-cold;
I stuff my skin so full within
Of jolly good ale and old.

 

William Stevenson

 

That sound in tune to you? … Sounds sharp to me. Sounds like I'm playing sharp all the time. My singing teacher told us you should do that. Maybe I got it from her. She said singers when they grow old have a tendency to go flat. So if you sing sharp as a young person, as you get older and go flat, you'll be in tune. In other words, it's never thought good to be flat. It means you can't get to the tone.

 

Charles Mingus