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You know it's never fifty-fifty in a marriage. It's always seventy-thirty, or sixty-forty. Someone falls in love first. Someone puts someone else up on a pedestal. Someone works very hard to keep things rolling smoothly; someone else sails along for the ride.
--
Mercy (1996)

 

Jodi Picoult

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Mama, I know you used to ride the bus. Riding the bus, and it's hot and bumpy and crowded and too noisy, and more than anything else in the world, you wanna get off. And the only reason in the world you don't get off is it's still fifty blocks from where you're going. Well, I can get off right now if I want to. Because even if I ride fifty more years and get off then, it's still the same place when I step down to it. Whenever I feel like it, I can get off. Whenever I've had enough, it's my stop. I've had enough.

 

Marsha Norman

 

The haiku that reveals seventy to eighty percent of its subject is good. Those that reveal fifty to sixty percent, we never tire of.

 

Matsuo Basho

 

"I'll be seventy years old soon. Well, Nahum, if you asked me whether I shall die and be buried in a Jewish State I would tell you Yes; in ten years, fifteen years, I believe there will still be a Jewish State. But ask me whether my son Amos, who will be fifty at the end of this year, has a chance of dying and being buried in a Jewish State, and I would answer: fifty-fifty."

 

David Ben-Gurion

 

At thirty, man suspects himself a fool;
Knows it at forty, and reforms his plan;
At fifty chides his infamous delay,
Pushes his prudent purpose to resolve;
In all the magnanimity of thought
Resolves, and re-resolves; then dies the same.

 

Edward Young

 

I have never admitted the right of an elderly author to alter the work of a young author, even when the young author happens to be his former self. In the case of a work which is a mere exhibition of skill in conventional art, there may be some excuse for the delusion that the longer the artist works on it the nearer he will bring it to perfection. Yet even the victims of this delusion must see that there is an age limit to the process, and that though a man of forty-five may improve the workmanship of a man of thirty-five, it does not follow that a man of fifty-five can do the same.
When we come to creative art, to the living word of a man delivering a message to his own time, it is clear that any attempt to alter this later on is simply fraud and forgery. As I read the old Quintessence of Ibsenism I may find things that I see now at a different angle, or correlate with so many things then unnoted by me that they take on a different aspect. But though this may be a reason for writing another book, it is not a reason for altering an existing one.

 

George Bernard Shaw