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I admit it worked fairly well but my first reaction was to get up and walk away from the job, but I couldn't. Once you've heard music like that with the picture, it makes your own scoring more difficult to arrive at, it clouds your thinking. Later, as an inside joke, I included a snippet of the Strauss in the score-and some critic pounced on me for stealing. You can´t win.
--
Tony Thomas, Music for the Movies (1973), p. 209

 

Jerry Goldsmith

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Working to timings and synchronising your musical thoughts with the film can be stimulating rather than restrictive. Scoring is a limitation but like any limitation is can be made to work for you. Verdi, except for a handful of pieces, worked best when he was 'turned on' by a libretto. The most difficult problem in music is form, and in a film you already have this problem solved for you. You are presented with a basic structure, a blueprint, and provided the film has been well put together, well edited, it often suggests its own rhythms and tempo. The quality of the music is strictly up to the composer. Many people seem to assume that because film music serves the visual it must be something of secondary value. Well, the function of any art is to serve a purpose in society. For many years, music and painting served religion. The thing to bear in mind is that film is the youngest of the arts, and that scoring is the youngest of the music arts. We have a great deal of development ahead of us.

 

Jerry Goldsmith

 

Not that I don't think irreverent humor and someone being filthy is funny, I just do what I do. Any comedian would admit throwing an f-bomb in there would help get a reaction. ... I'm not on a Puritanical pursuit, but when I would curse in a joke, I believe I'm not done writing it.

 

Jim Gaffigan

 

SF means Supreme Fascist — this would show that God is bad. I don't claim that this is correct, or that God exists, but it is just sort of half a joke. … As a joke I said, "What is the purpose of Life?" "Proof and conjecture, and keep the SF's score low."
Now, the game with the SF is defined as follows:
If you do something bad the SF gets at least two points.
If you don't do something good which you could have done, the SF gets at least one point.
And if nothing — if you are okay, then no one gets any point.
And the aim is to keep the SF's score low.

 

Paul Erdos

 

It is humble to admit that the struggle, even through no fault of one’s own, drags out so that every day has its evening, and because of one’s fault drags out in such a way that twilight sometimes falls on defeat. It is humble to admit that even the progress through life of the most honest contender is difficult, that even the person who walks his way with firm steps nevertheless does not walk with a hero’s pace, indeed, that when the evening of life cools the contender after the long day there still is no opportunity for fanfare, since even the person who came closest to the goal does not arrive with the qualifications or the disposition for the rigors of a victory celebration but, weary and worn, desires a grave in which to rest and a blessed departure from here in peace.

 

Soren Aabye Kierkegaard

 

Creating an action score can be quite challenging because action music can become too overwhelming. If all the music in the game is high energy it will become monotonous. I set out to build a pace in the score, so that there would be a variety of emotions and energy levels in the music. The challenge became to create these different music styles while still maintaining an action feel.

 

Jesper Kyd