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James Richardson

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Hasn’t there … been a little too much zeal in our reproof of children and friends for yielding to the temptations we ourselves find it most difficult to resist? We punish where we can least afford to sympathize. Of all the horrors of the daily news, it seems hardest to imagine the kind of cruelty that is intensified by the pain of its victims, but whenever we feel sympathy would weaken us, we are a little closer to the torturer.
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#449

 
James Richardson

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To those who knew Kropotkin, the man seemed more important than his works, and throughout our account we have had to record the strong impressions of amiability and goodness left by him. He had many ideological enemies, but few men of celebrity in their own time have had so few personal foes; even those bitterly opposed to his teachings usually found his modesty and sincerity difficult to resist. ... His ideal of human solidarity was no vague conception, nor his amiability a superficial virtue. They were continually manifested in his daily life, and, although he may at times have fallen into error, there is nothing in Kropotkin's acts or writings of intellectual dishonesty. He always spoke what he thought to be right, and was ready to take the consequences, whether it meant imprisonment or — what was much worse to a man of his character — the loss of old and respected friends. He was always kind, anxious to avoid giving pain or inconvenience, and conscious of the needs of others. His hospitality was wide, his sympathy abundant, his generosity as unlimited as his resources allowed.

 
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No quality of human nature is more remarkable, both in itself and in its consequences, than that propensity we have to sympathize with others, and to receive by communication their inclinations and sentiments, however different from, or even contrary to, our own. This is not only conspicuous in children, who implicitly embrace every opinion propos’d to them; but also in men of the greatest judgment and understanding, who find it very difficult to follow their own reason or inclination, in opposition to that of their friends and daily companions. To this principle we ought to ascribe the great uniformity we may observe in the humours and turn of thinking of those of the same nation; and ’tis much more probable, that this resemblance arises from sympathy, than from any influence of the soil and climate, which, tho’ they continue invariably the same, are not able to preserve the character of a nation the same for a century together. A good-natur’d man finds himself in an instant of the same humour with his company; and even the proudest and most surly take a tincture from their countrymen and acquaintance. A chearful countenance infuses a sensible complacency and serenity into my mind; as an angry or sorrowful one throws a sudden dump upon me. Hatred, resentment, esteem, love, courage, mirth and melancholy; all these passions I feel more from communication than from my own natural temper and disposition. So remarkable a phaenomenon merits our attention, and must be trac’d up to its first principles.

 
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For Chesterton… British public rhetoric was more than a mere style: "The motive is the desire to disguise a thing even when expressing it." To his mind, the dictator's words, even if his actions were as bad or worse than those of the parliamentarians, were morally and stylistically superior. At least they said openly what was being done openly. The British rhetoric, for Chesterton, was one with the decayed British liberalism that allowed exploitation of workers by plutocrats who were never rebuked by government or the courts. If nothing else, Mussolini's language was a bracing alternative.
Gazing back across the horrors of World War II, it is hard for us to imagine how good men like Chesterton, whatever their objections to British liberalism, could admire Mussolini, though several prominent intellectuals and politicians did. Many of us have family members or friends who fought or died to stop the fascist darkness, and we find it difficult to sympathize with Chesterton's desire to be fair to Mussolini. Mussolini's thuggish violence, of course, Chesterton and others rejected. But their admiration was an index of the scale of reform they thought needed.

 
Gilbert Keith Chesterton
 

For Chesterton… British public rhetoric was more than a mere style: "The motive is the desire to disguise a thing even when expressing it." To his mind, the dictator's words, even if his actions were as bad or worse than those of the parliamentarians, were morally and stylistically superior. At least they said openly what was being done openly. The British rhetoric, for Chesteron, was one with the decayed British liberalism that allowed exploitation of workers by plutocrats who were never rebuked by government or the courts. If nothing else, Mussolini's language was a bracing alternative.
Gazing back across the horrors of World War II, it is hard for us to imagine how good men like Chesterton, whatever their objections to British liberalism, could admire Mussolini, though several prominent intellectuals and politicians did. Many of us have family members or friends who fought or died to stop the fascist darkness, and we find it difficult to sympathize with Chesterton's desire to be fair to Mussolini. Mussolini's thuggish violence, of course, Chesterton and others rejected. But their admiration was an index of the scale of reform they thought needed.

 
Benito Mussolini
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