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James Baldwin

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The primary distinction of the artist is that he must actively cultivate that state which most men, necessarily, must avoid: the state of being alone.
--
"The Creative Process" (1962) originally published in The National Culture Center's Creative America (1962) and later published in The Price of the Ticket (1985)

 
James Baldwin

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If the artist is necessarily sensitive, does that sensitiveness form in its essence a state constantly liable to shade off into the morbid? Does this liability, moreover, increase in proportion as the effort is great and the ambition intense?

 
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Some anarchists have claimed not merely that we would be better off without a state, but that any state necessarily violates people's moral rights and hence is intrinsically immoral. Our starting point then, though nonpolitical, is by intention far from nonmoral. Moral philosophy sets the background for, and boundaries of, political philosophy. What persons may and may not do to one another limits what they may do through the apparatus of a state, or do to establish such an apparatus.

 
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The modern State is by its very nature a military State; and every military State must of necessity become a conquering, invasive State; to survive it must conquer or be conquered, for the simple reason that accumulated military power will suffocate if it does not find an outlet. Therefore the modern State must strive to be a huge and powerful State: this is the indispensable precondition for its survival.

 
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This distinction, which at first sight might not be obvious, emerges especially when one studies the origins of the State.

 
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