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The price one pays for pursuing any profession or calling is an intimate knowledge of its ugly side.
--
"The Black Boy Looks at the White Boy" in Esquire (May 1961); republished in Nobody Knows My Name: More Notes of a Native Son (1961)

 

James Baldwin

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Unfortunately for those who must make far-reaching decision without the benefit of an intimate knowledge of reactor technology, and unfortunately for the interested public, it is much easier to get the academic side of an issue than the practical side. For a large part those involved with the academic reactors have more inclination and time to present their ideas in reports and orally to those who will listen. Since they are innocently unaware of the real but hidden difficulties of their plans, they speak with great facility and confidence. Those involved with practical reactors, humbled by their experiences, speak less and worry more.

 

Hyman G. Rickover

 

Today people want love. I can truly and sincerely tell you this Knowledge is over-brimmed with love. This Knowledge is, you know, I can't explain how much love it contains. There is so much love that if you take the water of the whole seas around and on one side we put this love and on the other side we put the whole sea, the sea will be small, the love will still be more. If we take every human man's weight, add it, then we add the love of his love, this Knowledge will be still much bigger than any man's weight. And this Knowledge is love. This is it. This is the love. A thief cannot take if from you, this love is so much. Nobody can cut this love. You can experience it whenever you like.

 

Maharaji (Prem Rawat)

 

“One must work for a living in order to live-that’s just the way life is-it’s the shabby side of existence. We sleep seven hours out of twenty-four; its wasted time, but it has to be that way. We work five hours out of the twenty-four; it is wasted time, but it has to be that way. By working five hours, a person has his livelihood, and when he has that he begins to live. Now, a person’s work should preferably be as boring and meaningless as possible, just so he has his livelihood from it. If he has a special talent, he should never commit the sin against it of making it his source of income. No, he coddles his talent; he possesses it for its own sake; he has even greater joy from it than a mother from her child. He cultivates it; he develops it for twelve hours of the day, sleeps for seven hours, is a nonhuman for five, and thus life becomes quite bearable, even quite beautiful, because working five hours is not so bad, inasmuch as, since a person’s thoughts are never on the work, he hoards his energies for the pursuit of his delight.” Our hero is making no headway. For one thing, he has no special talent with which to fill the twelve hours at home; for another, he has already gained a more beautiful view of working, a view he is unwilling to give up. So he probably will decide to seek help from the ethicist again. The latter is very brief. “It is every human being’s duty to have a calling.” More he cannot say, because the ethical as such is always abstract, and there’s no abstract calling for all human beings. On the contrary, he presupposes that each person has a particular calling. Which calling our hero should choose, the ethicist cannot tell him, because for that a detailed knowledge of the esthetic aspects of his whole personality is required, and even if the ethicist did have this knowledge, he would still refrain from choosing for him, because in that case he would indeed deny his own view of life. What the ethicist can teach him is that there is a calling for every human being and, when our hero has found this, that he is to choose it ethically.

 

Soren Aabye Kierkegaard

 

Profit doesn’t appear as the goal but as a side effect of pursuing motivating principles.

 

Ted Malloch

 

ABANDON ALL HOPE YE WHO ENTER HERE is scrawled in blood red lettering on the side of the Chemical Bank near the corner of Eleventh and First and is in print large enough to be seen from the backseat of the cab as it lurches forward in the traffic leaving Wall Street and just as Timothy Price notices the words a bus pulls up, the advertisement for Les Miserables on its side blocking his view, but Price who is with Pierce & Pierce and twenty-six doesn't seem to care because he tells the driver he will give him five dollars to turn up the radio, "Be My Baby" on WYNN, and the driver, black, not American, does so.

 

Bret Easton Ellis