Thursday, November 21, 2024 Text is available under the CC BY-SA 3.0 licence.

James A. Michener

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Not too many people work in a job where, waiting out there are three or four hundred people who are paid to tear apart what you've done. And often they are brighter than you are, or they know more about the subject than you do, or they wish they had written a book themselves, or done a lot better. Or they just don't like it! And you have to live with it. I have been very well treated by the critics in the long haul.

 
James A. Michener

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The media wants overnight successes (so they have someone to tear down). Ignore them. Ignore the early adopter critics that never have enough to play with. Ignore your investors that want proven tactics and predictable instant results. Listen instead to your real customers, to your vision and make something for the long haul. Because that's how long it's going to take, guys.

 
Seth Godin
 

You see this book is finished and it is a bad book and I must get rid of it. It can't be printed. It is bad because it isn't honest. Oh! the incidents all happened but —  I'm not telling as much of the truth about them as I know. In satire you have to restrict the picture and I just can't do satire. I've written three books now that were dishonest because they were less than the best that I could do. One you never saw because I burned it the day I finished it. … My whole work drive has been aimed at making people understand each other and then I deliberately write this book, the aim of which is to cause hatred through partial understanding. My father would have called it a smart-alec book. It was full of tricks to make people ridiculous. If I can't do better I have slipped badly. And that I won't admit — yet.

 
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Most of you know what it means when a hundred corpses are lying side by side, or five hundred, or a thousand. To have stuck it out, and at the same time — apart from exceptions caused by human weakness — to have remained decent fellows, that is what has made us hard. This is a page of glory in our history, which has never been written and is never to be written.... We had the moral right, we had the duty to our people, to destroy this people which wanted to destroy us.

 
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Some of the critics explained the work by insisting that the child was some sort of medium, an instrument unaware of what was played upon it; others, considering the book a hoax, scorned the fact that any child could have written verses so smooth in execution and so remarkable in spiritual overtones. ... The appeal of such lines is not that they have been written by a child but by a poet.

 
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I was in Miami, reading at the book fair. My partner on the platform had won the Pulitzer Prize the previous day. At the book signing afterwards, Pulitzer Man had waiting for him a queue of admiring readers that stretched up the spine of Florida, while I had three people — an academic who was writing something on my work, the usual maniac in a raincoat, and a kindly chap who leaned down and said to me in a confidential whisper, “I'm not going to buy your book, but you looked so lonely I felt I had to come and talk to you.”

 
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