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J. R. R. Tolkien

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For myself I would say that more than the interest and uses of the study of Welsh as an adminicle of English philology, more than the practical linguist's desire to acquire a knowledge of Welsh for the enlargement of his experience, more even than the interest and worth of the literature, older and newer, that is preserved in it, these two things seem important: Welsh is of this soil, this island, the senior language of the men of Britain; and Welsh is beautiful.

 
J. R. R. Tolkien

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Even God had a Welsh name:
He spoke to him in the old language;
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A leading Welsh minister — and Welsh ministers are, I think, among the best preachers — was invited to preach an anniversary sermon before one of the great societies in London. Naturally anxious to disregard no propriety, he consulted the proper authority, the secretary. "Should I read my sermon?" "Oh, it is no matter, only bring some of your Welsh fire with you." " But you cannot, my dear sir, carry fire on paper." "No, that is true; but you may use the paper to kindle the fire."

 
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Most English-speaking people ... will admit that cellar door is 'beautiful,' especially if dissociated from its sense (and from its spelling). More beautiful than, say, sky, and far more beautiful than beautiful...Well then, in Welsh, for me cellar doors are extraordinarily frequent, and moving to the higher dimension, the words in which there is pleasure in the contemplation of the association of form and sense are abundant.

 
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Still haunted by Haiku, and tried my hand at it, but I fall pitifully short of the Wordsworthian touch. But failure in this realm turned my mind to an old enthusiasm of mine, the Welsh englyn. This verse form was derived by the Welsh from the inscriptions which their Roman conquerors put on tombs ... A good englym must have four lines, of ten, then six, syllables, the last two lines having seven syllables each. In the first line there must be a break after the seventh, eighth, or ninth syllable, and the rhyme with the second line comes at this break; but the tenth syllable of the first line must either rhyme or be in assonance with the middle of the second line. The last two lines must rhyme with the first rhyme in the first line, but the third or fourth line must rhyme on a weak syllable. Got that?

 
Robertson Davies
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