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In one sense 'there are' both universals and material objects, in another sense there is no such thing as either: statements about each can usually be analysed, but not always, nor always without remainder.
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p. 43

 

J. L. Austin

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George Berkeley ... is important in philosophy through his denial of the existence of matter—a denial which he supported by a number of ingenious arguments. He maintained that material objects only exist through being perceived. To the objection that, in that case, a tree, for instance, would cease to exist if no one was looking at it, he replied that God always perceives everything; if there were no God, what we take to be material objects would have a jerky life, suddenly leaping into being when we look at them; but as it is, owing to God’s perceptions, trees and rocks and stones have an existence as continuous as common sense supposes. This is, in his opinion, a weighty argument for the existence of God.

 

George Berkely

 

So the idea that there is nothing essential, in the sense that there are no human universals, is dogma. Ask most anyone who is going to be shot at dawn.

 

Catharine MacKinnon

 

All religious expression is symbolism; since we can describe only what we see, and the true objects of religion are The Seen . The earliest instruments of education were symbols; and they and all other religious forms differed and still differ according to external circumstances and imagery, and according to differences of knowledge and mental cultivation. All language is symbolic, so far as it is applied to mental and spiritual phenomena and action. All words have, primarily, a material sense, howsoever they may afterward get, for the ignorant, a spiritual non-sense. To "retract," for example, is to draw back, and when applied to a statement, is symbolic, as much so as a picture of an arm drawn back, to express the same thing, would he. The very word " spirit" means " breath," from the Latin verb spiro, breathe.

 

Albert Pike

 

Depth, in a pictorial, plastic sense, is not created by the arrangement of objects one after another toward a vanishing point, in the sense of the Renaissance perspective, but on the contrary (and in absolute denial of this doctrine) by the creation of forces in the sense of push and pull. Nor is depth created by tonal gradation (another doctrine of the academician which, at its culmination, degraded the use of color to a mere function of expressing dark and light).

 

Hans Hofmann

 

Of myths some are theological, some physical, some psychic, and again some material, and some mixed from these last two. The theological are those myths which use no bodily form but contemplate the very essence of the Gods: e.g., Kronos swallowing his children. Since god is intellectual, and all intellect returns into itself, this myth expresses in allegory the essence of god.
Myths may be regarded physically when they express the activities of the Gods in the world: e.g., people before now have regarded Kronos as time, and calling the divisions of time his sons say that the sons are swallowed by the father.
The psychic way is to regard the activities of the soul itself; the soul's acts of thought, though they pass on to other objects, nevertheless remain inside their begetters.
The material and last is that which the Egyptians have mostly used, owing to their ignorance, believing material objects actually to be Gods, and so calling them: e.g., they call the earth Isis, moisture Osiris, heat Typhon, or again, water Kronos, the fruits of the earth Adonis, and wine Dionysus.
To say that these objects are sacred to the Gods, like various herbs and stones and animals, is possible to sensible men, but to say that they are Gods is the notion of madmen — except, perhaps, in the sense in which both the orb of the sun and the ray which comes from the orb are colloquially called "the sun".

 

Sallustius (or Sallust)