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Henri Barbusse

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"We shall say to ourselves," says one, "'After all, why do we make war?' We don't know at all why, but we can say who we make it for. We shall be forced to see that if every nation every day brings the fresh bodies of fifteen hundred young men to the God of War to be lacerated, it's for the pleasure of a few ringleaders that we could easily count; that if whole nations go to slaughter marshaled in armies in order that the gold-striped caste may write their princely names in history, so that other gilded people of the same rank can contrive more business, and expand in the way of employees and shops — and we shall see, as soon as we open our eyes, that the divisions between mankind are not what we thought, and those one did believe in are not divisions."

 
Henri Barbusse

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Why can't she say extremist Muslims rather than just Muslims? "If that'll make you happy. They slaughtered 3,000 people and I'm making unfair generalisations. I think we're even." Well, no, I don't think we're even, I begin to reply — and at this point I see a side of Ann Coulter that goes beyond the ludicrous opinions. I see someone who is not afraid to twist, distort, bully and lie in order to "win" her argument.
Before I can elaborate or finish my sentence, she's off again. "Oh no, you're right, a generalisation is so much worse than slaughtering 3,000 people." I'm not saying that, I say. "I can't go beyond that, an ethnic generalisation is worse than slaughter. That is the essence of liberalism, you really do believe that. You get a glass of wine in you and you spit it out. You heard it. Making an un-PC generalisation is worse than the attack of 9/11." I'm not saying that, I repeat. "Yes, you are, you just said it." Of course I don't think that, I start, before I'm cut off again. "Liar!"
The irony is that she claims to be above this kind of steamrolling. "The country is trapped in a political discourse that resembles professional wrestling," she has written. "Liberals are calling names while conservatives are trying to make arguments." But her view of what constitutes an argument seems to be a distinctly one-sided affair. I try again: "Do you think I have any point at all about..." I begin, but she interrupts again. "No!" She doesn't even know what my point was.

 
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One of the most terrifying aspects of publishing stories and books is the realization that they are going to be read, and read by strangers. I had never fully realized this before, although I had of course in my imagination dwelt lovingly upon the thought of the millions and millions of people who were going to be uplifted and enriched and delighted by the stories I wrote. It had simply never occurred to me that these the millions and millions of people might be so far from being uplifted that they would sit down and write me letters I was downright scared to open; of the three-hundred-odd letters that I received that summer I can count only thirteen that spoke kindly to me, and they were mostly from friends. Even my mother scolded me: "Dad and I did not care at all for your story in The New Yorker," she wrote sternly; "it does seem, dear, that this gloomy kind of story is what all you young people think about these days. Why don't you write something to cheer people up?"

 
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"There is a systemic and methodical strategy to eliminate our people from doing business off 125th Street. I want to make it clear ... that we will not stand by and allow them to move this brother so that some white interloper can expand his business."

 
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I could not but be struck by the strangers. The lady was a big, handsome blonde woman, clever-looking and capable. But the man riveted my attention. He was dark, and forceful, and masterful, and ruthless. I have never seen so iron a countenance. I did not have much time to analyse the face; the bustle of arrival prevented that. But an instant was enough to make up my mind about him. We separated in the carriage after cordial wishes that we might meet again. When we were on the platform, I asked Irving:
"Who is that man?"
"Why," he said, " I thought I introduced you!"
"So you did, but you did not mention the names of the others!" He looked at me for an instant and said inquiringly as though something had struck him:
"Tell me, why do you want to know?"
"Because," I answered, "I never saw any one like him. He is steel! He would go through you like a sword!"
"You are right!" he said. "But I thought you knew him. That is Burton — Captain Burton who went to Mecca!"

 
Sir Richard Francis Burton
 

I could not but be struck by the strangers. The lady was a big, handsome blonde woman, clever-looking and capable. But the man riveted my attention. He was dark, and forceful, and masterful, and ruthless. I have never seen so iron a countenance. I did not have much time to analyse the face; the bustle of arrival prevented that. But an instant was enough to make up my mind about him. We separated in the carriage after cordial wishes that we might meet again. When we were on the platform, I asked Irving:
"Who is that man?"
"Why," he said, " I thought I introduced you!"
"So you did, but you did not mention the names of the others!" He looked at me for an instant and said inquiringly as though something had struck him:
"Tell me, why do you want to know?"
"Because," I answered, "I never saw any one like him. He is steel! He would go through you like a sword!"
"You are right!" he said. "But I thought you knew him. That is Burton — Captain Burton who went to Mecca!

 
Bram Stoker
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