There is no pure visualization in the sense of a priori philosophies; every visualization is determined by previous sense perceptions, and any separation into perceptual space and space of visualization is not permissible, since the specifically visual elements of the imagination are derived from perceptual space. What led to the mistaken conception of pure visualization was rather an improper interpretation of the normative function... an essential element of all visual representations. Indeed, all arguments which have been introduced for the distinction of perceptual space and space of visualization are base on this normative component of the imagination.
Hans Reichenbach
» Hans Reichenbach - all quotes »
Perceptual space is not a special space in addition to physical space, but physical space which we endow with a special subjective metric. ...apart from the definition of congruence in physics and that based on perception, there is no third one derived from pure visualization. Any such third definition is nothing but the definition of physical congruence to which our normative function has adjusted the subjective experience of congruence.
Hans Reichenbach
The main objection to the theory of pure visualization is our thesis that the non-Euclidean axioms can be visualized just as rigorously if we adjust the concept of congruence. This thesis is based on the discovery that the normative function of visualization is not of visual but of logical origin and that the intuitive acceptance of certain axioms is based on conditions from which they follow logically, and which have previously been smuggled into the images. The axiom that the straight line is the shortest distance is highly intuitive only because we have adapted the concept of straightness to the system of Eucidean concepts. It is therefore necessary merely to change these conditions to gain a correspondingly intuitive and clear insight into different sets of axioms; this recognition strikes at the root of the intuitive priority of Euclidean geometry. Our solution of the problem is a denial of pure visualization, inasmuch as it denies to visualization a special extralogical compulsion and points out the purely logical and nonintuitive origin of the normative function. Since it asserts, however, the possibility of a visual representation of all geometries, it could be understood as an extension of pure visualization to all geometries. In that case the predicate "pure" is but an empty addition, since it denotes only the difference between experienced and imagined pictures, and we shall therefore discard the term "pure visualization." Instead we shall speak of the normative function of the thinking process, which can guide the pictorial elements of thinking into any logically permissible structure.
Hans Reichenbach
We are frequently faced with the necessity of looking for the picture required for the visualization of an object, not in the perception of this particular object, but in a different perceptual image. ...we can assert the discrepancy between the perceived picture and the objective state. This discrepancy... proves absolutely nothing against the fact that all visualizations are merely sense qualities of the perceptual space. ...If the parallelism is ...to be visualized, we must supplement our assertion by the description of certain qualities with which we are familiar from perceptual space.
Hans Reichenbach
Whereas the conception of space and time as a four-dimensional manifold has been very fruitful for mathematical physicists, its effect in the field of epistemology has been only to confuse the issue. Calling time the fourth dimension gives it an air of mystery. One might think that time can now be conceived as a kind of space and try in vain to add visually a fourth dimension to the three dimensions of space. It is essential to guard against such a misunderstanding of mathematical concepts. If we add time to space as a fourth dimension it does not lose any of its peculiar character as time. ...Musical tones can be ordered according to volume and pitch and are thus brought into a two dimensional manifold. Similarly colors can be determined by the three basic colors red, green and blue... Such an ordering does not change either tones or colors; it is merely a mathematical expression of something that we have known and visualized for a long time. Our schematization of time as a fourth dimension therefore does not imply any changes in the conception of time. ...the space of visualization is only one of many possible forms that add content to the conceptual frame. We would therefore not call the representation of the tone manifold by a plane the visual representation of the two dimensional tone manifold.
Hans Reichenbach
Writing turned a spotlight on the high, dim Sierras of speech; writing was the visualization of acoustic space. It lit up the dark.
Marshall McLuhan
Reichenbach, Hans
Reinfeldt, Fredrik
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z