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Of all the people who make up a movie production unit, the cameraman is the only one who can call himself a free soul.
--
"The Motion Picture Cameraman", Theatre Arts Magazine, September, 1941.

 

Gregg Toland

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...when the empire dissolved...the people of Britain suffered from a kind of vertigo: they could not believe that they were standing upright, and reached out for something to clutch. It seemed axiomatic that economically, as well as politically, they must be part of something bigger, though the deduction was as unfounded as the premise. So some cried: 'Revive the Commonwealth'. And others cried: 'Let's go in with America into a North Atlantic Free Trade Area'. Yet others again cried: 'We have to go into Europe: there's no real alternative'. In a sense they were right: there is no alternative grouping. In a more important sense they were wrong: there is no need for joining anything. A Britain which is ready to exchange goods, services and capital as freely as it can with the rest of the world is neither isolated nor isolationist. It is not, in the sneering phrases of Chamberlain's day, 'Little England'...The Community is not a free trade area, which is what Britain, with a correct instinct, tried vainly to convert it into, or combine it into, in 1957-60. For long afterwards indeed many Britons continued to cherish the delusion that it really was a glorified free trade area and would turn out to be nothing more. On the contrary the Community is, what its name declares, a prospective economic unit. But an economic unit is not defined by economics – there are no natural economic units – it is defined by politics. What we call an economic unit is really a political unit viewed in its economic aspect: the unit is political.

 

Enoch Powell

 

[S]oftware production is unlike any other production that preceded it. No raw materials are required, no time is required, and no effort is required. You can make a million copies of a piece of software instantaneously for free. It's a totally new paradigm of production.

 

John McAfee

 

I knew that the mix of new social currents, the irresistible force of creators determined to make "their" films and the possible intrusion of government into the movie arena demanded my immediate action. ... My first move was to abolish the old and decaying Hays Production Code. I did that immediately. Then on November 1, 1968, we announced the birth of the new voluntary film rating system of the motion picture industry ... the emergence of the voluntary rating system filled the vacuum provided by my dismantling of the Hays Production Code. The movie industry would no longer "approve or disapprove" the content of a film, but we would now see our primary task as giving advance cautionary warnings to parents so that parents could make the decision about the movie-going of their young children.

 

Jack Valenti

 

I don't agree with the copyright laws, and I don't have a problem with people downloading the movie and sharing it with people… as long as they're not doing it to make a profit off it as long as they're not, you know trying to make a profit off my labor — I would oppose that but you know I do quite well, and I don't know... I make these books and movies and TV shows because I want things to change, and so the more people who get to see them, the better. And so I'm…I'm happy I'm happy if that happens Should I not be happy?.I don't know, It's like if a friend of yours had the DVD of my movie — gave it to you to watch one night is that person doing something wrong? I'm not seeing any money from that, but he's just handing the DVD to you so that you can watch my movie, that he bought, and you're not buying it — and yet you're watching it without paying me any money you see, I think that's OK, I mean, that's always been okay right? — You share things with people and I think information, and art, and ideas should be shared.

 

Michael Moore

 

Everything depends on what you put in front of the camera, what perspectives you create, contrasts, colors. The cameraman can do great things, provided he is well grounded technically. If a person hasn't the raw material, I obviously couldn't do anything with him. But all I ask of a cameraman is technical experience. Everything else is up to me. I was amazed to find that in America cameramen are surprised that this is the way I work.

 

Michelangelo Antonioni