What's really interesting is the fact that these long running universes have their weight that is bigger than mine. I wasn't alive when Superman was having his first adventure, I'll be dead and he'll still be having adventures, so there is a certain element of that continuum we've created which is much more real the one we live in. (2010, on Grant Morrison: Talking with Gods)
Grant Morrison
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I just lived daily with my parents fighting against the bomb, the idea that this thing when it happens, we'd be obliterated, forever. & then for me the big thing was discovering superhero comics, because suddenly, there were people who could stop the bomb, Superman could take an atom bomb hit to the chest & just shake it off... so all that reflects on me, the moment you realise that the bomb, before it was a bomb, was an idea, & suddenly that understanding: Superman was a better idea, so why not make that one real instead of that one? (2010, on Grant Morrison: Talking with Gods)
Grant Morrison
I didn't think it was right for superheroes to be burdened with real world problems, I was more interested in going into their world, I wanted to find out what it was like in there, where the sky was always blue and where everything was primary coloured, where time was represented by boxes and you can cut between one moment and ten years over the space of a gutter...so again this why I thought my agenda and my projects were so different, because I felt that (Alan) Moore brought the grit and grim into super heroes' lives, it was about harming them, kind of messing them up and exposing their futility and fragility, and to me I don't want to expose the fragility and futility of one of the last great forms that we have. (2010, on Grant Morrison: Talking with Gods)
Grant Morrison
He paints for the blind, and we are the blind, and he lets us see for sure what we saw long ago but weren't sure we saw. He paints for the dead, to remind us that — great good God, think of it — we're alive, and on our way to weather, from the sea to the hot interior, to watermelon there, a bird at night chasing a child past flowering cactus, a building on fire, barking dogs, and guitar-players not playing at eight o'clock, every picture saying, "Did you live, man? Were you alive back there for a little while? Good for you, good for you, and wasn't it hot, though? Wasn't it great when it was hot, though?"
William Saroyan
That God of the clergymen, He is for me as dead as a doornail. But am I an atheist for all that? The clergymen consider me as such — be it so; but I love, and how could I feel love if I did not live, and if others did not live, and then, if we live, there is something mysterious in that. Now call that God, or human nature or whatever you like, but there is something which I cannot define systematically, though it is very much alive and very real, and see, that is God, or as good as God. To believe in God for me is to feel that there is a God, not a dead one, or a stuffed one, but a living one, who with irresistible force urges us toward aimer encore; that is my opinion.
Vincent van Gogh
That God of the clergymen, He is for me as dead as a doornail. But am I an atheist for all that? The clergymen consider me as such — be it so; but I love, and how could I feel love if I did not live, and if others did not live, and then, if we live, there is something mysterious in that. Now call that God, or human nature or whatever you like, but there is something which I cannot define systematically, though it is very much alive and very real, and see, that is God, or as good as God. To believe in God for me is to feel that there is a God, not a dead one, or a stuffed one, but a living one, who with irresistible force urges us toward aimer encore; that is my opinion.
Vincent Van Gogh
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