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I use media exposure as a means of playing with multiple personalities. Each interview is a different me and they're all untrustworthy (2000)

 

Grant Morrison

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David Rose (ITN reporter): Industrial relations and picketing. What about the TUC putting its house in order?
James Callaghan: The media's always trying to find what's wrong with something .. Let's try and make it work.
Rose: What if the unions can't control their own militants? So there are no circumstances where you would legislate?
Callaghan: I didn't say anything of that sort at all. I'm not going to take the interview any further. Look here. We've been having five minutes on industrial relations. You said you would do prices. I'm just not going to do this .. that programme is not to go. This interview with you is only doing industrial relations. I'm not doing the interview with you on that basis. I'm not going to do it. Don't argue with me. I'm not going to do it.

 

James Callaghan

 

Despite the high salaries involved, employing economists is a cost-effective way for banks, and stockbrokers to secure exposure in the media.

 

Paul Ormerod

 

You know I love pot, and I love beer, but I am totally sober, just because it completely stopped working for me. (Interview Magazine 2000)

 

Anthony Kiedis

 

This is for all the f**k ups in the crowd. (Pinkpop, Holland, 2000 - before playing f**kin' up)

 

Eddie Vedder

 

I’m surprised that multiple personalities are so much less common in reality than in fiction: what a little disorder it would take, a distraction, a sleep, for one of our minor characters to imagine he was the star, to speak out for everyone else. And that’s what it would be, a change of billing, not of authorship. For you do not write your play—you are just the character in it called The Playwright. The real writer, you never meet.

 

James Richardson