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I see no reason why children as young as six, seven, or even three shouldn't be allowed to produce corporate comic books to relentless monthly deadlines. And have to write several titles at once to make a decent living. That's what a proper childhood's all about isn't it? This is the 21st century after all and these unruly little bastards have been milking post-Victorian sentimentality for all it's worth for way too long. Time to get kids back where they belong - up chimneys, down mines, and tied to the printing presses! If you can pick up a brick to smash a car window, then you can build me a textile factory, son ... here's a whole half dollar for your day's labor. Now put down that Justin Timberlake bio-comic and get back on the production line! (2003)

 

Grant Morrison

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I repeat, bullshit. Pull your head out of your ass for a moment and look at this not as a long time comic book reader, but as a civilian. This looks like a comic book, feels like a comic book, smells like a comic book, tastes like a comic book. No “uninitiated” person is going to look at this and think “Ah! This lurid cover illustration indicates this book must be intended for mature readers!” They are going to think “Look what they are selling to my children!!”* And those children are going to think “Co-o-o-o-o-o-ol!!!”

 

John Byrne

 

Let's face it; regular monthly superhero comic books have taken on the look and smell of old men's pants. It's hardly a surprise comics lost the teenage audience or that the adult audience is now bored and irritated by the endless recycling of images they've already seen and words they've already read. (2003)

 

Grant Morrison

 

The more one suffers, the more sense, I believe, one gains for the comic. Only by the most profound suffering does one gain real competence in the comic, which with a word magically transforms the rational creature called man into a Fratze [caricature]. This competence is like a policeman’s self-assurance when he abruptly grips his club and does not tolerate any talk or blocking of traffic. The victim protests, he objects, he insists on being respected as a citizen, he demands a hearing-immediately there is a second rap from the club, and that means: Please move on! Don’t stand there! In other words, to want to stand there to protest, to demand a hearing, is just a poor pathetic wretch’s attempt to really amount to something, but the comic turns the fellow around, just as the policeman who gets him turned around in a hurry and, by seeing him from behind, with the help of his club makes him comic. Yet this sense of the comic has to be acquired so painfully that one cannot quite wish to have it. But the sense of the comic presses in on me particularly every time my suffering brings me in contact with other people.

 

Soren Aabye Kierkegaard

 

You don't learn anything in school. It's just a waste of time. You lug around books and all and do homework. They give too much homework. You shouldn't be doing homework. Nobody's interested in it. The teachers are stupid. They shouldn't have any women in there. They don't know how to teach. And they shouldn't make anyone go to school. You don't want to go, you don't go, that's all. It's ridiculous. I don't remember one thing I learned in school. I don't listen to weakies. My two and a half years in Erasmus High I wasted. I didn't like the whole thing. You have to mix with all those stupid kids. The teachers are even stupider than the kids. They talk down to the kids. Half of them are crazy. If they'd have let me, I would have quit before I was sixteen.

 

Bobby Fischer