I loved Fred so, and I mean that in the nicest, warmest way: I had such affection for him artistically. I think that experience with Fred was a divine blessing. It blessed me, I know, and I don't think blessings are one sided.
--
Reported by Dick Richards in "Ginger: Salute to a Star", quoting Rogers from Francis Wyndham's story about Ginger Rogers, in London's "Sunday Times Magazine".Ginger Rogers
» Ginger Rogers - all quotes »
Fred taught me a step because I said I can't let this experience be over without my learning something. He taught me the most wonderful Fred Astaire-like step, with an umbrella. It was a complete throwaway; it was almost invisible. It was in the way he walked. As he moved along, he bounced the umbrella on the floor to the beat and then he grabbed it. It was effortless and invisible. As a matter of fact, a few years later I was photographing Gene Kelly and told him that Fred Astaire had taught me this trick with an umbrella. And Kelly said, "Oh I'll teach you one," and he did, and the two tricks with the umbrella in some way define the difference between Fred Astaire and Gene Kelly, and, in my view, demonstrate who is the greater of the two artists. With Gene Kelly, he threw the umbrella way up into the air, and then he moved to catch it, very slowly, grabbing it behind his back. It was a big, grandstand play, about nothing.
Fred Astaire
I'd never seen him out front before. It was also the first time I realized that Fred had sex appeal. Fred. Wherever did he get it?
Fred Astaire
I work bigger. Fred's style is intimate. I'm very jealous of that when I see him on the small screen. Fred looks so great on TV. I'd love to put on white tie and tails and look as thin as him and glide as smoothly. But I'm built like a blocking tackle.
Fred Astaire
The fact that Fred and I were in no way similar - nor were we the best male dancers around never occurred to the public or the journalists who wrote about us...Fred and I got the cream of the publicity and naturally we were compared. And while I personally was proud of the comparison, because there was no-one to touch Fred when it came to "popular" dance, we felt that people, especially film critics at the time, should have made an attempt to differentiate between our two styles. Fred and I both got a bit edgy after our names were mentioned in the same breath. I was the Marlon Brando of dancers, and he the Cary Grant. My approach was completely different from his, and we wanted the world to realise this, and not lump us together like peas in a pod. If there was any resentment on our behalf, it certainly wasn't with each other, but with people who talked about two highly individual dancers as if they were one person. For a start, the sort of wardrobe I wore - blue jeans, sweatshirt, sneakers - Fred wouldn't have been caught dead in. Fred always looked immaculate in rehearsals, I was always in an old shirt. Fred's steps were small, neat, graceful and intimate - mine were ballet-oriented and very athletic. The two of us couldn't have been more different, yet the public insisted on thinking of us as rivals...I persuaded him to put on his dancing shoes again, and replace me in Easter Parade after I'd broken my ankle. If we'd been rivals, I certainly wouldn't have encouraged him to make a comeback.
Fred Astaire
Fred also previously received two honorary doctorates ..... They were both given by the relevant engineering faculties, but Fred always told people that they were for "back street mechanicing".
Fred Dibnah
Rogers, Ginger
Rogers, Jim
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