Brasília is a weird place but I like being here. I can focus on the job here, there's no city madness and I don't need urban stimulation.
--
Steward, Sue (2003-10-19). "Minister of cool: part one". The Observer (Guardian Media Group). Retrieved on 2008-03-16.Gilberto Gil
Everything that would be said against the Eixample's heirs, from Le Corbusier's 'ville radieuse' to Oscar Niemeyer's Brasilia, was already said, with far less justice, about the Eixample itself. And all its critics concurred that the basic mistake was to have left the planning of a city in the hands of a socialist.
Robert Hughes
Ebenezer Howard, Frank Lloyd Wright, and Le Corbusier responded to social conditions which were, in many respects, worse than our own by detaching themselves from immediate action to devote thousands of hours to their urban utopias. But detachment is not necessarily escapism; for the three planners believed that before they could take effective action they had to stage a strategic withdrawal into their own minds. They wanted to escape from the inevitable limitations of short-term solutions devised for particular cities. Instead, they tried to consider the urban problem as a whole. They wanted to comprehend the logic of the twentieth-century city, its inherent structure, and its most efficient form. They attempted to look beyond the distortions that an inhumane social order had imposed upon the cities of their time, and to envision a city based on social justice and equality.
Ebenezer Howard
The city is a fact in nature, like a cave, a run of mackerel or an ant-heap. But it is also a conscious work of art, and it holds within its communal framework many simpler and more personal forms of art. Mind takes form in the city; and in turn, urban forms condition mind.
Lewis Mumford
He had a theory about it. It happened, and re-happened, because it was a city uninterested in history. Strange things occurred precisely because there was no necessary regard for the past. The city lived in a sort of everyday present. It had no need to believe in itself as a London, or an Athens, or even a signifier of the New World, like a Sydney, or a Los Angeles. No, the city couldn't care less about where it stood. He had seen a T-shirt once that said: NE YORK FUCKIN' CITY. As if it were the only place that ever existed and the only one that ever would.
Colum McCann
The skepticism of the art establishment seems to be based on, as much as anything, a kind of big-city prejudice against work so free from urban angst. ~ Lynn Macritchie in Art in America (April 1995)
Andy Goldsworthy
Gil, Gilberto
Gilbert, Elizabeth
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