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The authors would like to join the demon Crowley in dedicating this book to the memory of G. K. Chesterton. A man who knew what was going on.
--
Neil Gaiman and Terry Pratchett, on the dedication page of Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch (1990), a satire of prophecies of the Apocalypse and Armageddon.

 

Gilbert Keith Chesterton

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Chesterton was important — as important to me in his way as C. S. Lewis had been.
You see, while I loved Tolkien and while I wished to have written his book, I had no desire at all to write like him. Tolkien’s words and sentences seemed like natural things, like rock formations or waterfalls, and wanting to write like Tolkien would have been, for me, like wanting to blossom like a cherry tree or climb a tree like a squirrel or rain like a thunderstorm. Chesterton was the complete opposite. I was always aware, reading Chesterton, that there was someone writing this who rejoiced in words, who deployed them on the page as an artist deploys his paints upon his palette. Behind every Chesterton sentence there was someone painting with words, and it seemed to me that at the end of any particularly good sentence or any perfectly-put paradox, you could hear the author, somewhere behind the scenes, giggling with delight.

 

Gilbert Keith Chesterton

 

Chesterton was important — as important to me in his way as C. S. Lewis had been.
You see, while I loved Tolkien and while I wished to have written his book, I had no desire at all to write like him. Tolkien’s words and sentences seemed like natural things, like rock formations or waterfalls, and wanting to write like Tolkien would have been, for me, like wanting to blossom like a cherry tree or climb a tree like a squirrel or rain like a thunderstorm. Chesterton was the complete opposite. I was always aware, reading Chesterton, that there was someone writing this who rejoiced in words, who deployed them on the page as an artist deploys his paints upon his palette. Behind every Chesterton sentence there was someone painting with words, and it seemed to me that at the end of any particularly good sentence or any perfectly-put paradox, you could hear the author, somewhere behind the scenes, giggling with delight.

 

Neil Gaiman

 

Crowley is, admittedly, a complicated case. One can hardly blame people for feeling hatred and fear toward Crowley when Crowley himself so often exulted in provoking just such emotions. Indeed he tended to view those emotions as inevitable, given what he regarded as the revolutionary nature and power of his teachings and the prevailing hypocrisy of society ... Revile Christianity (but not Christ, mind you) as he might, seek its downfall as he did, Crowley desired nothing less than a full-fledged successor religion — complete with a guiding Logos that would endure for millenia, as had the teachings of Jesus. "Thelema" was the Logos Crowley proclaimed, Greek for "Will." "Do what thou wilt shall be the whole of the law" was its central credo. Let us concede that this credo — so redolent, seemingly, of license and arnarchy, dark deeds and darker dreams — terrifies on first impact, as does Crowley the man. ... Say what you will of Crowley, judge his failings as you will, there remains a man as protean, brilliant, courageous, flabbergasting, as ever you could imagine. There endure achievements that no reasoned account of his life may ignore...

 

Aleister Crowley

 

The meeting between Chesterton and Il Duce occurred in 1929, ten years before the war, at a time when, whatever his other faults, Mussolini had reintroduced a mark spirit of optimism and freshness to an Italy that had formerly been pessimistic and stagnant. Throughout the 1920s, Chesterton thought he saw in the Italian leader qualities that might have offset certain evils in Britain. It is important to keep in mind that whatever the misreadings of fascism, Chesterton always had some quite specific British problem in view when he praises Mussolini.

 

Benito Mussolini

 

The meeting between Chesterton and Il Duce occurred in 1929, ten years before the war, at a time when, whatever his other faults, Mussolini had reintroduced a mark spirit of optimism and freshness to an Italy that had formerly been pessimistic and stagnant. Throughout the 1920s, Chesterton thought he saw in the Italian leader qualities that might have offset certain evils in Britain. It is important to keep in mind that whatever the misreadings of fascism, Chesterton always had some quite specific British problem in view when he praises Mussolini.

 

Gilbert Keith Chesterton