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George Moore

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It does not matter how badly you paint so long as you don't paint badly like other people.
--
Ch. 6.

 
George Moore

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I see less and less....I need to avoid lateral light, which darkens my colors. Nevertheless, I always paint at the times of day most propitious for me, as long as my paint tubes and brushes are not mixed up....I will paint almost blind, as Beethoven composed completely deaf.

 
Claude Monet
 

I can't paint the way they want me to paint and they know that too.
Of course you will say that I ought to be practical and ought to try and paint the way they want me to paint. Well, I will tell you a secret. I have tried and I have tried very hard, but I can't do it. I just can't do it! And that is why I am just a little crazy.

 
Rembrandt
 

The aesthetics of painting were always in a state of development parallel to the development of painting itself. They influenced each other and vice versa. But all of the sudden, in that famous turn of the century a few people thought they could take the bull by the horns and invent an aesthetic beforehand. After immediately disagreeing with each other, they began to form all kind of groups, each with the idea of freeing art... The question as they saw it, was not so much what you could paint, but what you could not paint. You could not paint a house or a tree or a mountain. It was then that the subject matter came into existence as something you ought not to have.

 
Willem de Kooning
 

In 1946 what I call my ‘Little Image’ began breaking through this (former) gray matter of mine. I felt fantastic relief that something was beginning to happen after all this time when there was nothing, nothing, nothing… …The canvas is down on a floor or table and I am working out of a tiny can. In other words, I have to hold the paint so I can move it. But I wouldn’t have been using Duco (industrial paint, ed.). My paint would always have been oil and I could get the consistency of a thick pouring quality in it by squeezing it into a can and cutting it with turp (turpentine, ed.) – the way I use paint today (1975, ed.)... ...The only thing I can say with absolute assurance is that my ‘Little Image’ work starts about 1946 and ends in 1949.

 
Lee Krasner
 

Oh I wish that I could paint again. Paint is an instrument without which I cannot survive for any length of time. Whenever I even think of gray, green and white, I am overcome with quivers of lust. Then I wish that this war would end and that I might paint again.

 
Max Beckmann
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