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To be so closely caught up in the teeth of things that they kill you, no matter how infinitesimally kill you, is, truly, to be a poet: and to be a poet in fact it is additionally necessary that you should possess the tongues and instruments with which to record this series of infinitesimal deaths.
--
"Therefore All Poems Are Elegies" in New Poems : 1940 : An Anthology of British and American Verse (1941) edited by Oscar Williams, p. 15

 

George Barker

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And I waked in and sat down and they gave me a piece of paper, said, "Kid, see the psychiatrist, room 604." And I went up there, I said, "Shrink, I want to kill. I mean, I wanna, I wanna kill. Kill. I wanna, I wanna see, I wanna see blood and gore and guts and veins in my teeth. Eat dead burnt bodies. I mean kill, Kill, KILL, KILL." And I started jumping up and down yelling, "KILL, KILL," and he started jumping up and down with me and we was both jumping up and down yelling, "KILL, KILL." And the Sargent came over, pinned a medal on me, sent me down the hall, said, "You're our boy."

 

Arlo Guthrie

 

[Robert Lowell] is a poet of both Will and Imagination, but his Will is always seizing his Imagination by the shoulders and saying to it in a grating voice: “Don’t sit there fooling around; get to work!” — and his poor Imagination gets tense all over and begins to revolve determinedly and familiarly, like a squirrel in a squirrel-cage. Goethe talked about the half-somnambulistic state of the poet; but Mr. Lowell too often is either having a nightmare or else is wide awake gritting his teeth and working away at All The Things He Does Best. Cocteau said to poets: Learn what you can do and then don’t do it; and this is so—we do it enough without trying. As a poet Mr. Lowell sometimes doesn’t have enough trust in God and tries to do everything himself: he proposes and disposes — and this helps to give a certain monotony to his work.

 

Randall Jarrell

 

The significance of a myth is not easily to be pinned on paper by analytical reasoning. It is at its best when it is presented by a poet who feels rather than makes explicit what his theme portends; who presents it incarnate in the world of history and geography, as our poet has done. Its defender is thus at a disadvantage: unless he is careful, and speaks in parables, he will kill what he is studying by vivisection, and he will be left with a formal or mechanical allegory, and what is more, probably with one that will not work. For myth is alive at once and in all its parts, and dies before it can be dissected.

 

J. R. R. Tolkien

 

We don't owe the white man nothing in South Africa. He's killed millions of our women, our children, our babies, our elders.… If he won't get out of town by sundown, we kill everything white that ain't right that's in sight in South Africa. We kill the women, we kill the children, we kill the babies. We kill the blind, we kill the crippled, we kill them all … and kill them a-god-damn-gain because they didn't die hard enough.

 

Khalid Abdul Muhammad

 

Beautiful ladies in danger. Danger all around the world. But I will protect them, because I am Chris de Burgh!
Beautiful ladies in emergency situations.
Beautiful ladies are lovely but sometimes they don't take care
They're too busy with their makeup and combing their lovely hair
To take basic safety precautions
But I will protect them I will save the pretty ones
With their smiles and their beautiful eyes
But let the ugly ones die
I have no place for them in my new world order
I won't waste my seed on hideous trolls
Kill kill kill kill kill the trolls
hunt them down there shall be no clemency
Kill kill kill kill kill the trolls
Look under the bridges that's where they hide
That's where they hide
And beauty shall be my bride.

 

Bill Bailey