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He had not stopped desiring her for a single instant. He found her in the dark bedrooms of captured towns, especially in the most abject ones, and he would make her materialize in the smell of dry blood on the bandages of the wounded, in the instantaneous terror of the danger of death, at all times and in all places. He had fled from her in an attempt to wipe out her memory, not only through distance but by means of a muddled fury that his companions at arms took to be boldness, but the more her image wallowed in the dunghill of war, the more the war resembled Amaranta. That was how he suffered in exile, looking for a way of killing her with his own death.
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Referring to Aureliano José

 

Gabriel Garcia Marquez

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The true picture of the past flits by. The past can be seized only as an image which flashes up at the instant when it can be recognized and is never seen again.... To articulate the past historically ... means to seize hold of a memory as it flashes up at a moment of danger. Historical materialism wishes to retain that image of the past which unexpectedly appears to man singled out by history at a moment of danger.

 

Richard Wright

 

He who hath bent him o'er the dead
Ere the first day of death is fled,—
The first dark day of nothingness,
The last of danger and distress,
Before decay's effacing fingers
Have swept the lines where beauty lingers.

 

Lord Byron

 

We, too, must enter into the Saviour's sorrow. For us, if we believe in Him, He breaks the bread, and pours the wine: and when we eat and drink, we do show the Lord's death until He come. His death, not His life, though that was lustrous with a holiness without the shadow of a stain. His death, not His teaching, though that embodied the fullness of a wisdom that was Divine. His death, not His miracles, though His course was a march of mercy, and in His track of blessing the world rejoiced and was glad. His death! His body not glorious, but broken; His blood, not coursing through the veins of a conqueror, but shed, poured out for man. His death! Still His death! Grandest and most consecrating memory both for earth and heaven!

 

William Morley Punshon

 

A hero looks death in the face, real death, not just the image of death. Behaving honourably in a crisis doesn't mean being able to act the part of a hero well, as in the theatre, it means being able to look death itself in the eye.
For an actor may play lots of different roles, but at the end of it all he himself, the human being, is the one who has to die.

 

Ludwig Wittgenstein

 

That had not been the first time nor had it been the last, but all the years of killing boiled down in essence to that single moment — not the time that came after, but that long and terrible instant when he had watched the lines of men purposefully striding up the slope to kill him.
It had been in that moment that he had realized the insanity of war, the futile gesture that in time became all but meaningless, the unreasoning rage that must be nursed long beyond the memory of the incident that had caused the rage, the sheer illogic that one man, by death or misery, might prove a right or uphold a principle.
Somewhere, he thought, on the long backtrack of history, the human race had accepted an insanity for a principle and had persisted in it until today that insanity-turned-principle stood ready to wipe out, if not the race itself, at least all of those things, both material and immaterial, that had been fashioned as symbols of humanity through many hard-won centuries.

 

Clifford D. Simak