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Frederick Rolfe

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It's all nonsense to say that the Fifteenth Century can't possibly speak to the Twentieth, because it is the Fifteenth and not the Twentieth, and because those two Centuries haven't got a Common Denominator. They have. It's Human Nature.
--
Don Tarquinio (1905; repr. London: Chatto and Windus, 1941), Prologue, p. x

 
Frederick Rolfe

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The core of the belief in progress is that human values and goals converge in parallel with our increasing knowledge. The twentieth century shows the contrary. Human beings use the power of scientific knowledge to assert and defend the values and goals they already have. New technologies can be used to alleviate suffering and enhance freedom. They can, and will, also be used to wage war and strengthen tyranny. Science made possible the technologies that powered the industrial revolution. In the twentieth century, these technologies were used to implement state terror and genocide on an unprecedented scale. Ethics and politics do not advance in line with the growth of knowledge — not even in the long run.

 
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There were experiences in previous centuries which might well have challenged this unqualified optimism. But the expansion of man's power over nature proceeded at such a pace that all doubts were quieted, allowing the nineteenth century to become the “century of hope” and to express the modern mood in its most extravagant terms. History, refusing to move by the calendar, actually permitted the nineteenth century to indulge its illusions into the twentieth. Then came the deluge. Since 1914 one tragic experience has followed another, as if history had been designed to refute the vain delusions of modern man.

 
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When we read the best nineteenth- and twentieth-century novelists, we soon realize that they are trying in a variety of ways to establish a definition of human nature, to justify the continuation of life as well as the writing of novels.

 
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The discovery of printing in the middle of the fifteenth century implied the beginning of a return to a type of civilization dominated by the eye rather than the ear.

 
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We are now in the middle of a long process of transition in the nature of the image which man has of himself and his environment. Primitive men, and to a large extent also men of the early civilizations, imagined themselves to be living on a virtually illimitable plane. There was almost always somewhere beyond the known limits of human habitation, and over a very large part of the time that man has been on earth, there has been something like a frontier...
Gradually, however, man has been accustoming himself to the notion of the spherical earth and a closed sphere of human activity. A few unusual spirits among the ancient Greeks perceived that the earth was a sphere. It was only with the circumnavigations and the geographical explorations of the fifteenth and sixteenth centuries, however, that the fact that the earth was a sphere became at all widely known and accepted. Even in the thirteenth century, the commonest map was Mercator's projection, which visualizes the earth as an illimitable cylinder, essentially a plane wrapped around the globe, and it was not until the Second World War and the development of the air age that the global nature of tile planet really entered the popular imagination. Even now we are very far from having made the moral, political, and psychological adjustments which are implied in this transition from the illimitable plane to the closed sphere.

 
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