There is no setup in Hollywood that compares with an Astaire picture.
--
Irving Berlin to George Gershwin quoted in Jablonski, Edward, and Stewart, Lawrence D. The Gershwin Years. Garden City, N.Y.: Doubleday, 1961, p.250. (M)Fred Astaire
But when you're in a picture with Astaire, you've got rocks in your head if you do much dancing. He's so quick-footed and so light that it's impossible not to look like a hay-digger compared with him.
Fred Astaire
The major difference between Astaire and Kelly is a difference, not of talent or technique, but of levels of sophistication. On the face of it, Kelly looks the more sophisticated. Where Kelly has ideas, Astaire has dance steps. Where Kelly has smartly tailored, dramatically apt Comden and Green scripts, Astaire in the Thirties made do with formulas derived from nineteenth-century French Farce. But the Kelly film is no longer a dance film. It's a story film with dances, as distinguished from a dance film with a story. When Fred and Ginger go into their dance, you see it as a distinct formal entity, even if it's been elaborately built up to in the script. In a Kelly film, the plot action and the musical set pieces preserve a smooth community of high spirits, so that the pressure in a dance number will often seem too low, the dance itself plebeian or folksy in order to "match up" with the rest of the picture.
Fred Astaire
He is the most interesting, the most inventive, the most elegant dancer of our times... you see a little bit of Astaire in everybody's dancing--a pause here, a move there. It was all Astaire's originally.
Fred Astaire
Take My Picture, Hollywood! I Wanna Be a Star!
Lady Gaga
Heroines followin' Marilyn hoppin' over the edge just like Janis Joplin,
River Phoenix, Jimi Hendrix, James Morrison
All of them ended by Hollywood.
Thank God for Hollywood,
Hollywood, Sure you want this baby?River Phoenix
Astaire, Fred
Astley, Jacob
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z