My solos are speech-influenced rhythmically; and harmonically, they're either pentatonic, or poly-scale oriented. And there's the mixolydian mode that I also use a lot...But I'm more interested in melodic things I think the biggest challenge when you go to play a solo is trying to invent a melody on the spot.
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Denyer, Ralph (2002). The Guitar Handbook. p. 102. ISBN 0-679-74275-1.Frank Zappa
Instead of thinking in terms of chords, I think of voice-leading; that is, melody line and bass line, and where the bass line goes. If you do that, you'll have the right chord. [These voices] will give you some alternatives, and you can play those different alternatives to hear which one suits your ear... Keep the bass line moving so you don't stay in one spot: if you have an interesting bass line and you roll it against the melody, the chords are going to come out right.
Paul Simon
The prerequisite of contrapuntal art, more conspicuous in the work of Bach than in that of any other composer, is an ability to conceive a priori of melodic identities which when transposed, inverted, made retrograde, or transformed rhythmically will yet exhibit, in conjunction with the original subject matter, some entirely new but completely harmonious profile.
Glenn Gould
Solos I kind of [couldn't] care less about. I know most people probably think that's what I care most about, but it's really the melody playing that is the cornerstone of what I'm working on.
Joe Satriani
I do like movies that take a toll on the audience. I want to work the subconscious. I want to involve you in ways in which you might not necessarily want to get involved. I want to play off those things that you're expecting to get when the lights go down and the 20th Century Fox logo comes up. There's an audience expectation and I'm interested in how movies play with--and off--that expectation. That's what I'm interested in.
David Fincher
The melodic curves of speech are an expression of the complete organism and of all phases of its spiritual activities. They demonstrate whether a man is stupid or intelligent, sleepy or awake, tired or alert. They tell us whether he is a child or an old man, whether it is morning or evening, light or darkness, heat or frost, and disclose whether a person is alone or in company. The art of dramatic writing is to compose a melodic curve that will, as if by magic, reveal immediately a human being in one definite phase of his existence.
Leos Janacek
Zappa, Frank
Zardari, Asif Ali
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