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I am told [Mrs. Coates] bears me in mind and is of a disposition to look with something of favor on my work—which I might say, quoting one of William's playful quips, 'shows her good sense.' They tell me Mrs. Coates is quite a woman among women—is beautiful, shines with great brightness, and, by those who know her well, is admired and cherished...(93) I don't know Mr. Coates but I know the wife—a beautiful, true woman, I have always believed her. We have had several talks together—or maybe only one talk: I am not clear about that now—but I shall always remember what she said—the effect of her talk, which was mainly about Matthew Arnold, who was her guest in Germantown. Arnold is a man for whom I never seem to be able to get up any stir—with whom I never have had and never could have a thorough-going affinity. But Mrs. Coates gave me the other side of him—the social side, the personal side, the intellectual side—the side of deportment, behavior—the side which I ought perhaps most to hear about and did willingly and gladly hear of from her. For every man has that better thing to be said of him—is entitled to all it may mean, signify, explain...(112) Yes, tell the Coates people—Mrs., Mr. Coates—to come over: I will see them...(156) I saw [Mr. and Mrs. Coates]—was glad to see them: both of them are so good, cordial, sincere—she particularly. It does my old eyes good to look at such a woman...(215) The letter [Mrs. Coates had sent to me] that came with [the poem, "The Promised Land"] was very hospitable, forth-giving: I liked it: indeed, the letter was a better poem than the poem: a real poem, in fact...(396)
--
Walt Whitman, as told to Horace Traubel in With Walt Whitman in Camden: July 16, 1888-October 31, 1888 [numbers above refer to pages].

 

Florence Earle Coates

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Mrs. Coates is the very incarnation of contradiction. The action of her life is cast along the lines of conventional routine; but the hidden and real existence of the woman is carried on miles beyond and above all the material concerns, in the pure ether of the poet's realm. She will shut herself up with the "wide-eyed muse" to round a sonnet of majestic reach, or she will merge into the gay world, the laces of a dutchess about her, precious stones at her throat and glowing roses on her breast, there to dazzle all listeners to her conversation, in which bon mot, persiflage, eloquence and philosophy are interwoven. She is a "fine lady," and yet her poetry is never tainted by "fine ladyism." She is a bluestocking, but with none of the unlovely signs of bluestockingism about her. Another woman with Mrs. Coates' voice, mobile face, and evident histrionic instinct would have dashed away from the conventional life and sought vent for the "tempest within" in the mimic world of the stage, but Mrs. Coates is mistress of a perfectly ordered home.

 

Florence Earle Coates

 

I should like to shake Eric Coates but I won't. When I meet him he says, "I just love every note you have written." and I believe he does--but--as you say--well!

 

Edward German

 

Every adventure to be had in this room is on the dark side. The people on the light side are asleep right now. And they are dreaming about the dark side. Because the more you try to repress the dark side, the stronger it gets, until it finds its own way to the surface. I sleep well. I dream of angels and sponge cake and panda bears. I don’t see the dark side until I open my eyes.

 

Neil Strauss

 

A living poem can energise another poem at five hundred years distance, or across the other side of the world.

 

Michael (poet) Schmidt

 

A successful poem says what a poet wants to say, and more, with particular finality. The remarks he makes about his poems are incidental when the poem is good, or embarrassing or absurd when it is bad — and he is not permitted to say how the good poem is good, and may never know how the bad poem is bad. It is better to write about other people's poetry.

 

Randall Jarrell